- Analogue Solutions POLYMATH – sound of the 70s
- Anyware Instruments Tinysizer – a compact modular system
- ARP 2600 – holy grail of analog?
- ARP Axxe – small is beautiful
- Arturia MatrixBrute – a French icon of luxury
- Arturia MicroBrute – tiny on the outside, huge on the inside
- Arturia MiniBrute – the new Roland SH-101?
- Arturia MiniBrute 2 and the “Synth-Flation” phenomenon
- ASM Hydrasynth Deluxe: Is DIGITAL the NEW ANALOG?
- Baloran THE RIVER – an elemental SOUND force
- COTK Model 15 – a tool for elegant sound
- Crumar BIT ONE, BIT 99, BIT 01: Little gems of expressivity
- Doepfer Dark Energy I, II and III – Forbidding Powers
- ELKA Synthex – analog Classic and vintage Workstation
- GeneralMusic GEM S2 / S2R / S3 – ingenious pro-synthesizers
- GRP A1 – name it Dr. BASSSSSSSSssssssss
- GRP A2 – that classical cherry on the cake
- GRP A4 – WILD analog synthesizer
- GRP A8 – analog studio synthesizer
- GRP Eurorack – a surprising variety of musical expression
- GRP V22 Vocoder – Voices from Outer Space
- Hypersynth Xenophone – a special analog desktop synth
- John Bowen Solaris – a life’s work
- Jomox SunSyn – the TRUE analog synthesizer?
- Kawai K3 – a rare hybrid synthesizer
- Kawai S-100F / Teisco S-100F – “Terra Incognita”?
- Korg minilogue – stepping stone to a pro’s synth?
- Korg MS-20 – the semi-modular revolution
- Korg prologue – THE 8-/16-voice pro’s synth?
- Korg PS-3100 – the polyphonic Tyrannosaurus
- Korg Trident – a classic 8-voice string synthesizer
- Korg Volca Series – little doors to big polyphonics?
- MFB Dominion 1 – a DELUXE analog synth
- MFB Dominion X / X SED – the OSCar effect
- Modal 001 – a great British duophonic synth
- Modal Argon8 – a polyphonic Wavetable synthesizer
- Moog Memorymoog – TOP vintage poly-synth with 18 VCOs
- Moog Minitaur – cute Legend with Fun Factor
- Moog Sonic Six – the Eugene Zumchak synthesizer
- Novation Bass Station II – a full-blown analog synthesizer
- Novation SUMMIT – an OSCar synthesizer with 16 voices?
- Oberheim OB-8 – L.A. Sound with tricky software
- Oberheim OB12 – a wolf in sheeps clothing?
- Oberheim Two Voice Pro – the analog dream-synth?
- PPG Wave 2.2 / Wave 2.3 – the one and only
- Rhodes/Fender CHROMA Polaris – coffee, extra cream?
- Roland JD-800 – best (vintage) digital pad synthesizer?
- Roland JD-XA – JD of the 21st Century?
- Roland Juno-60 – a classic with lots of charme
- Roland Jupiter-4 – the GOLDEN oldie?
- Roland Jupiter-6 – of harmonics, pads and polyrhythms
- Roland Jupiter-8 – the grand master of synth-pop
- Roland Jupiter-X / Jupiter-Xm – the last stand?
- Roland JX-8P – a good all-rounder
- Roland SH-5 – king of the vintage SH-series?
- Roland SH-7 – a truely flexible Performance Synth
- Roland System-8 – historic turning point?
- Roland VP-330 – figurehead of the Vocoder Hype
- Sequential Pro 3 – a new benchmark for raw sonic power
- Sequential Pro-One – best vintage monophonic?
- Sequential Prophet-5 – Milestone and Musical Legend
- Sequential Prophet-T8 – pure analog LUXURY
- Sequential Six-Trak – the unsung hero of MIDI-CC
- Studio Electronics Boomstar 4075 – the ARP substitute?
- Studiologic Sledge 2.0 / BLACK – a panther to be tamed
- Trax RetroWave R-1 – from Model Trains to Synths
- UDO Audio SUPER 6 – an acoustical chameleon
- Vermona ’14 Analogsynthesizer – a modern bard
- Vermona Mono Lancet ’15 / Kick Lancet – Lead- and Groove-Synthesizers
- Vermona PERfourMER MKII – the new Four-Voice?
- Waldorf QUANTUM – a hybrid path to the future
- Waldorf Rocket – the synth from another star
- Waldorf Streichfett – Magic Vintage Sounds
- Yamaha CS-50 / CS-60 / CS-80 – the GREAT Japanese IMPACT
Great Synthesizers is an online magazin with reviews, pictures, documents and soundfiles of analogue and digital synthesizers & related music gear