Expert Sleepers “Silent Way” – MIDI-to-CV interface alternative?

Expert Sleepers Silent Way

Silent Way is a suite of plug-ins designed for use with analogue synthesisers, and especially as part of a modular analogue synthesiser system. The plug-ins produce no sound themselves, nor do they process sound – rather, they generate signals to be used as control voltages (CVs), which can be patched into the control inputs of oscillators, filters, VCAs etc. of an analogue system. Also, with the addition of the CV Input plug-in, it is possible to bring CVs from the synth into the computer, for recording or processing.

There are currently eighteen plug-ins in the Silent Way suite – Silent Way AC Encoder, Silent Way CV Input, Silent Way CV To MIDI, Silent Way CV To OSC , Silent Way DC, Silent Way ES-4 Controller, Silent Way ES-5 Controller, Silent Way ESX-4CV Combiner, Silent Way Follower, Silent Way Learner, Silent Way LFO, Silent Way Quantizer, Silent Way SMUX, Silent Way Soundplane, Silent Way Step LFO, Silent Way Sync , Silent Way Trigger and Silent Way Voice Controller. These are described in more detail on the Expert Sleepers website.

There is also a demo version available and a collection of tutorials.

Filed under General

Es muss Mitte der 70er Jahre gewesen sein, als ich das erste Mal “Switched on Bach” von Walter/Wendy Carlos gehört habe. Seitdem haben Elektronische Musik und Synthesizer nichts an Faszination und Vielfalt in ihren Ausdrucksmöglichkeiten für mich verloren. Der Haptik wegen und wohl auch bedingt durch meine Wurzeln, gebe ich nach wie vor Hardware den Vorzug, selbst wenn die Qualität so mancher Plug-Ins mittlerweile beeindruckend ist. Die Entwicklungen der letzten Jahre haben eine neue Generation an Klangschaffenden und Musikern hervorgebracht, die wie es scheint nun wiederum der Faszination der alten analogen Instrumente erliegen. Genau in diesem Spannungsfeld soll sich der Inhalt unseres Magazins wieder finden. ________________________________________________________ It must have been the middle of the 70′s when I first heard “Switched on Bach” by Walter/Wendy Carlos. Since then, electronic music and synthesizers have lost none of their fascination and variety in their means of expression for me. Because of the tangibility of it and probably also due to my roots, I still prefer hardware, even if the quality of some plug-ins is now impressive. The developments of recent years have spawned a new generation of sound professionals and musicians, who seem to again succumb to the fascination of old analog instruments. It is precisely in this area of tension that the content of our magazine can be found.