Crumar Performer software / VST synthesizer (+ demos)

Admittedly, we feel more comfortable talking about hardware-synthesizers. But there are exceptions to the rule. When we first heard the Crumar Performer Software, we were amazed. Its demo audio tracks were pretty convincing – what a gorgeous sound! According to the company, Crumar invested a year of intensive research in developing the new Performer software – which is now supposed to offer a (almost) authentic sound of the original synthesizer / multi-keyboard. And yes – it comes close!

A short look back at the original Crumar Performer. Launched in 1979, it was one of those hidden secrets on the synthesizer market. It featured a brass- and a string-section (making it a simple multi-keyboard) and had a surprisingly meaty analog sound. It came with the wonderful SSM2040 VCF (for its famous brasses), and with a SSM2050 envelope generator.

Nevertheless the Crumar Performer – whether it featured SSM chips or not –  was no Prophet-5 Rev.2, of course. It had only one filter and one envelope generator. And its polyphony was realized via frequency dividers. Technically, it was one of those cheesy multi-instruments of the late 70s / early 80s. With a decent sound, correct. And with its very own character, correct as well.

The new Crumar Performer software not only offers the original user interface (very simple user surface – an bis advantage, actually), an accurate simulation of the original circuits, and full polyphony (we already had that before (o :), but also a switch for the Rev. A / Rev. B filter selection, and a switch for the “Sustain” modification.

Besides the convincing basic sound, the most important aspect of the Performer Software is the extra bunch of virtual effect pedals. Beautiful effects, directly connected to the (virtual) Performer. That “Vintage Brass / Strings + Phaser / Chorus / Delay” package  works out pretty well – as you can hear in the attached sound files.

There’s only one minor point of criticism: The attack- / release-times are pretty short. They correspond to the vintage instrument’s behaviour, ok, we got that. But why not “improve” things? The almost religious obligation to be as faithful to the original instrument as possible – a phenomenon of our times – is often irritating and difficult to understand.

Crumar Performer Software

Nevertheless, the Crumar Performer Software sounds gorgeous! We have attached 15 minutes of audio files. The first string demo is (c) by GreatSynthesizers, the remaining software demos are (c) by Crumar & their respective musicians. All sounds (except the drums) are 100% Crumar Performer Software. All effects as well.

Finally, there are 3 sound files of the “original” Crumar Performer synthesizer … In comparison, the new Performer Software does pretty well. Ok, maybe there’s a little less dynamic and a little less warmth in sound compared to the original synth. But it’s not too bad, not at all.

Crumar Performer Software Synthesizer

Physical Modeling Simulation /
Virtual Instrument

99 Euros

Link Manufacturer:

Crumar PR-Video:

Filed under 2021, General, Stories

“Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005. Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doepfer, Cwejman,, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP,, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.

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