Waldorf Quantum – new Update & new Soundfiles

It is always praiseworthy when a manufacturer continues to maintain a product “after” its release. Just like Waldorf does with its Quantum. All improvements up to the very latest OS (1.2.3) put the already enormously powerful instrument another big step forward.

We’d like to focus on two aspects that benefit the user immediately.

Sonic potential: The (double) analog filter does not overdrive at high resonance as wild as it did before. Still, the beautiful filter-self-resonance remains preserved. In addition, the analog filter-section can now be calibrated.

Conceptual upgrade: The workflow has been simplified. The main button (right above the display) now act as multi-trigger buttons. For easy and direct access to “all” parts of the dedicated area.

Example: Pressing “LFOs” several times takes you (directly) from LFO 1 to LFO 2 to LFO 3, etc. Up to now – after selecting “LFOs” – you needed to press virtual buttons (central display) for selection of LFO 1 to 5. Now it’s far easier, all done with one (physical) button. Same with the filters, same with the envelopes. The overall workflow is not only easier, but also more intuitive.

In addition, the accuracy of MIDI synchronization has been refined – and much more. All changes can be found on the Waldorf website, where the new OS is available for free download.


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Furthermore, we recommend the following Youtube video:

“Unleash the true power of your Waldorf Quantum with this complete set of 32 complex & evolutive pads presets!” (https://gumroad.com/l/STRATOS)


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Whether it is necessary to buy Quantum sounds (or not) is up to you. Anyway, we took the opportunity of the OS upgrade to expand our own Quantum sound examples. The following demos focus on two aspects: The integrated compressor (which gives the Quantum more “presence”) and the calibrated analog filter package.

“Koyaanisqatsi” (Glass Miner à la Philip Glass) and “P5 Mid Strings” are modified factory presets originally programmed by Howard Scarr. And ah, yes … the Quantum is no Prophet-5, of course. It has completely different strengths …


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Filed under 2019, General

“Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005. Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.

1 Comment

  1. Thank you! Excellent demo! Quantum is a fantastic machine!

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