CICADA acoustic synthesizer – TOUCH the sound

This is an electroacoustic instrument that lets musicians explore tactile sound synthesis by bridging electroncis with acoustics. Designed to be playful yet modular, Cicada is compatible with a wide array of synths, modular systems, mic’d acoustic instruments and much more.

Cicada generates new tones and distortions by converting electrical signals into precise vibrations. These vibrations are then amplified and transformed through a mechanical oscillator to produce modulation and other hybrid electronic-acoustic effects.

Physical Synthesis Cicada

From Richard Devine to Julia Govor, artists discover new ways to create rich and vivid soundscapes and textures. Here’s a short video featuring a Cicada performance by Richard Devine:

Devine explains:

“I am using a 4ms QCD as my main clock source and accompanying rhythm to play the two actuators with the orange play tips onto the center EVA soundboard (glass-like surface). The signals from the QCD are being sent to the two white amps (white octagons) transforming electrical signals into precise mechanical vibrations capable of generating acoustic modulation.” – Richard Devine

Sounds mysterious to us.
Sound great.


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Further Info:

www.physical-synthesis.com

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“Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005. Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.

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