E-MU AUDITY – the ultimate analog synthesizer prototype

How nice would it have been IF … Well, IF in 1980 Sequential Circuits would have continued license fee payments for the Prophet-5 (E-MU patents on keyboard scanning, SSM circuits) and thus wouldn’t have stopped the wonderful E-MU AUDITY project.

That 16-voice E-MU synthesizer would have become the most powerful polyphonic synthesizer of all time. At an astronomical price, of course: the AUDITY should have cost approx. 60,000 USD (or more). A sum that only few musicians worldwide would have been able to afford.

E-MU Audity Synthesizer / NMC

This massive synth had been shown at the 1980 AES show and was planned to go into full production. SCI, however, pulled the plug on the royalties, and the whole AUDITY project was shelved.

The only AUDITY in existence is currently exhibited at the National Music Centre in Calgary, Canada. The 5-octave-keyboard that comes with the synth is an adapted polyphonic 4060 keyboard of the E-MU modular system.

E-MU Audity Synthesizer / NMC

E-MU Audity Synthesizer / NMC

E-MU Audity Synthesizer / NMC

E-MU Audity Synthesizer / NMC

E-MU Audity Synthesizer / NMC

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“Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005. Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.