modulus.002 – new British hybrid polysynthesizer

This synthesizer looks beautiful! It’s a new hybrid polysynth “made in Britain”, a modern-day musical instrument with a sizeable number of notable new features — notably replicating content to a cloud-based platform for file sharing. “modulus.002 is the first serious pro synthesiser for a long, long time” is what people say. “It represents a no-compromise approach to modern-day synthesis” …

At a price of £2995 (3795 Euros) the modulus.002 costs approx. the same as the ultra-desirable John Bowen Solaris. At first glance, the modulus.002 appears to be a mixture of Solaris, Alesis Andromeda and Radikal Technologies Accelerator. But, of course, it’s an instrument of its own!


The Features:

  • 12 voice polyphony (with full multi-timbrality if desired)
  • 2 digital oscillators + 2 sub-oscillators per voice
  • Over 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes
  • 24db per octave four pole transistor ladder filter
  • The filter has some very unusual morphing characteristics or ‘polesweeping’, enabling transition from four pole through bandpass to one pole 6db per octave, or anywhere in between
  • Two LFOs, one per voice and one global (so … 13 in total, right?)
  • Extensive modulation options
  • 12 Track, 12 row, 32 step sequencer with 16 dedicated step time editing knobs on the front panel
  • Arpeggiator and animator
  • Key modes: polyphonic, monophonic, unison and stack
  • XLR/TRS outputs – balanced and unbalanced signals, 12 outputs
  • FATAR semi-weighted five octave key mechanism (velocity / aftertouch), X/Y joystick
  • Ethernet port to connect the modulus.002 to a network and enable updates via the internet (no more midi sysex dumps) and access to the Modulus cloud features




Further info:

Filed under General

“Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005. Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doepfer, Cwejman,, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP,, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.