AS500-SEQ – a different kind of analog step sequencer

This is a tool for creative musicians. With 64 (2×32) steps, the AS500-SEQ offers flexible step/row combinations that break up the structural pattern logic of a classic sequencer. In addition, the eight rows run vertically, and while the 32-step generator on the left provides the main melody (just to name an example), the 32-step generator on the right can be used not only for alternative CV controls, but also for fill-in variations.

Analogue Solutions AS200 CV/Gate Step-Sequencer

As you would expect from Analogue Solutions, there are no bells and whistles here. MIDI, menus…? Sorry, no such thing. CV/Gate, that’s what we offer. For incoming and outgoing signals, pure ANALOGUE. Gate-Out is available as GATE X or GATE Y, depending on the switch selection (per step), with two rhythmic tracks per sequencer unit.

Analogue Solutions AS200 CV/Gate Step-Sequencer

The only (minor) criticism: there is only one CV output per sequencer unit, CV A and CV B. That’s it. However, since it’s not uncommon to control at least two synthesizers at the same time, dual outputs would have been useful. Of course, you can get around this with a Y-connector or multiples, but there would have been enough space for a second jack in each case.

Analogue Solutions AS200 CV/Gate Step-Sequencer

Nevertheless, the AS500-SEQ – handmade in Great Britain – looks fantastic and impresses with its concept. The desktop step-sequencer costs £999 plus VAT and shipping. The following YouTube video provides more insight into this unusual performance gear and clearly demonstrates how the AS500-SEQ works.

Further info:
www.analoguesolutions.com

Filed under 2026, General

“Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005. Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.

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