Moog Sub 37 – what is “paraphonic”?

The new Moog baby has arrived. Moog SUB 37. A cross between a Sub Phatty and a Little Phatty. And it’s PARAPHONIC! Huh? Well, both oscillators can be independently controlled. In some way it’s “sort of” duophonic …

Moog-Sub37-Synthesizer

The SUB 37 panel features 40 knobs, 74 switches and has a dedicated LCD display …

SUB 37 info:

  • 2 VCOs, Selectable monophonic or paraphonic. Plus a sub-oscillator.
  • 20Hz-20Khz Moog Ladder Filter w/ 6/12/18/24 dB/Oct Filter Slopes (this reminds us of the GRP A4 synthesizer) and MultiDrive
  • 2 DAHDSR (Delay, Attack, Hold, Decay, Sustain, Release) – loopable envelopes (again, similar to the GRP A4, but to be honest – it was the EMS VCS 3 back in 1969 that introduced loopable envelopes, later continued by the OSCar and the EDP Wasp)
  • 37-note keyboard (hence the name …) with velocity and aftertouch
  • 2 flexible modulation busses, glide
  • Arpeggiator and step sequencer
  • 256 presets, MIDI, MIDI-USB, CV/Gate (Filter CV, Pitch CV, Volume CV, KB Gate)

The modulation busses in detail:

> sources: LFO, Filter Envelope, Programmable Sources – Amp Env,Osc1/Osc2 Pitch

> destinations: Osc1/Osc2/Both Pitch, Filter Cutoff, Osc1/Osc2/Both Wave, VCA, LFO1/LFO2 Rate, Noise Level, EG Time. Programmable Destinations – Filter resonance, drive, slope, EG amt. Osc1/Osc2/Sub Level, Feedback/Ext Level.

Further information on the SUB 37 see:
www.moogmusic.com

Filed under 2014, General

“Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005. Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.