Roland Jupiter-80 V2 – new Low Pass Filters

2012-03-28
by Peter M. Mahr
Roland Jupiter-80 V2 - three new Low Pass Filters

Roland Jupiter-80 V2 - three new Low Pass Filters

Version 2 adds three more Low Pass Filters to Roland’s Jupiter-80. The internal EFXs are no longer limited to parallel routing, as Version 2 additionaly brings serial routing.

We recorded four audiofiles to compare the different Low Pass Filters. The settings are moderate and with the exception of the filter mode all parameters are the same in all four audiodemos. No EFX used.

Roland Jupiter-80 V2 - now with serial and parallel EFX routing

Roland Jupiter-80 V2 - now with serial and parallel EFX routing

We would like to thank Michael Menze of Rolandmusik.de for providing V2!

Jupiter-80 review

Find a description of each audiofile in the Listening Room.

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Es muss Mitte der 70er Jahre gewesen sein, als ich das erste Mal “Switched on Bach” von Walter/Wendy Carlos gehört habe. Seitdem haben Elektronische Musik und Synthesizer nichts an Faszination und Vielfalt in ihren Ausdrucksmöglichkeiten für mich verloren. Der Haptik wegen und wohl auch bedingt durch meine Wurzeln, gebe ich nach wie vor Hardware den Vorzug, selbst wenn die Qualität so mancher Plug-Ins mittlerweile beeindruckend ist. Die Entwicklungen der letzten Jahre haben eine neue Generation an Klangschaffenden und Musikern hervorgebracht, die wie es scheint nun wiederum der Faszination der alten analogen Instrumente erliegen. Genau in diesem Spannungsfeld soll sich der Inhalt unseres Magazins wieder finden. ________________________________________________________ It must have been the middle of the 70′s when I first heard “Switched on Bach” by Walter/Wendy Carlos. Since then, electronic music and synthesizers have lost none of their fascination and variety in their means of expression for me. Because of the tangibility of it and probably also due to my roots, I still prefer hardware, even if the quality of some plug-ins is now impressive. The developments of recent years have spawned a new generation of sound professionals and musicians, who seem to again succumb to the fascination of old analog instruments. It is precisely in this area of tension that the content of our magazine can be found.