{"id":75852,"date":"2026-06-01T06:28:18","date_gmt":"2026-06-01T04:28:18","guid":{"rendered":"https:\/\/greatsynthesizers.com\/?p=75852"},"modified":"2026-06-22T06:38:12","modified_gmt":"2026-06-22T04:38:12","slug":"superbooth26-synth-expo-berlin-part-2","status":"publish","type":"post","link":"https:\/\/greatsynthesizers.com\/en\/general\/superbooth26-synth-expo-berlin-part-2\/","title":{"rendered":"SUPERBOOTH26 \u2013 Synth Expo Berlin (Part 2)"},"content":{"rendered":"

After Part 1<\/a> and a detour to Buchla\u2019s Ziggi synthesizer, we now find ourselves in southern Europe…<\/p>\n

THE GREAT ROMAN<\/p>\n

Paolo Groppioni of GRP personally introduced his new GRP A10. A distinctive feature of this synthesizer\u2014which is more than generously equipped with oscillators, filters, and CV\/Gate generators\u2014is the stereo configuration of all audio signal paths, including analog stereo effects.<\/p>\n

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ENDLESS<\/p>\n

Last year, ROLAND set the bar with its TR-1000 groove workstation; now, the Polish manufacturer POLYEND has responded with the Drums. It\u2019s similarly priced at the high end of the market and generously equipped with a variety of analog and digital sound generators. A rhythm instrument in a class of its own. In addition, the manufacturer has also been active in the pedal market for some time now. The latest addition is called Endless. The name says it all: The metal stompbox serves as a mainframe for currently 69 effect algorithms\u2014ranging from modulation to reverb\u2014with a corresponding number of plug-ins. And that number is growing, because with the included AI tool, users can easily create their own effects using text descriptions.<\/p>\n

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VOLCANIC ROCK AND MINIMAL<\/p>\n

Black is still the dominant color for synthesizers and outboard gear. The SONICWARE Minimal groovebox and the GENKI Katla synth expander from Iceland are no exceptions. Not only is the latter named after a volcano in its country of origin, but the side panels of this expensive \u201cboutique\u201d expander are also carved from jet-black volcanic rock. After the death of Wowa CWEJMAN, production of the coveted Eurorack modules initially came to a halt; however, for about two years now, they have been produced again by Maho Cwejman\u2014not only in eggshell and gray, but now also in uniform black.<\/p>\n

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SCHMIDT IN THE (virtual) BOX<\/p>\n

The Schmidt Synthesizer, a gray eminence that has now seen better days, is on the verge of being discontinued due to a lack of components and will live on in the future only in digital form (as a plugin). According to Axel Fischer, given the enormous processing power of modern computer processors, you can hardly hear any difference anymore\u2014a fact he was able to confirm for himself last year while overseeing the plugin\u2019s development. Another analog powerhouse, the Bode Frequency Shifter, is now being built by SYNTH-WERK based on the original schematics in the MK2 version, which offers greater tuning stability.<\/p>\n

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UNDER CONTROL<\/p>\n

BASTL INSTRUMENTS\u2019 Kalimba caused quite a stir in the run-up to its release. Interest in the electronically enhanced thumb piano was correspondingly high. ELEKTRON is now releasing the Outbox 8. This provides eight analog outputs for all Elektron machines that are Overbridge-compatible.<\/p>\n

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MAKE NOISE Phonehack is a long-awaited successor to the Erbeverb. Depending on the firmware, PLINKY functions as a synthesizer, chord generator, or CV\/Gate\/MIDI sequencer. Custom overlays are available for each function to improve navigation on the touch panel. The JOMOX Transcendor combines elements of Mod FM with the T-Resonator. However, it is reportedly still unclear whether and how this synth will ultimately go into production. The RELIQ INSTRUMENTS Matrix Mixer and Sequencer presents an interesting matrix-based concept. In addition to the main unit, the package includes a fully remote-controllable patchbay.<\/p>\n

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LYDIA<\/p>\n

Although ROLAND wasn\u2019t present at the SB, RFDL (Roland Future Design Lab + Neutone) presented the LYDIA project in the Bungalow Village. Reportedly, it incorporates AI and is a filter-resonator-envelope follower that interacts with the input material. It comes in pedal format. Across from it is the SPACEDRUM, a groove machine styled after 1960s hi-fi design, featuring a polished metal surface and stylish wooden side panels.<\/p>\n

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TUBESYNTH MODULAR<\/p>\n

All fans of the Knifonium tube synthesizer\u2014which is no longer available\u2014have something to look forward to, as the Finnish manufacturer KNIF is working on a complete 5U tube-based modular system. Although many modules are already complete (some of which can be seen in the photos), only the BBD is currently available as a standalone unit. The manufacturer plans to release everything together. They\u2019re asking for a little patience, as the keyboard is still causing some issues. The eagerly anticipated release of the VERMONA Drumding will also be delayed until the end of the year.<\/p>\n

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RUSSIAN NOS TUBES<\/p>\n

Elsewhere, the long wait will likely come to an end soon: CATALYST AUDIO\u2019s Eurorack modules are finally set to hit stores in a few weeks. The incredibly rich sound is produced exclusively using highly durable and energy-efficient Russian NOS mini-tubes. The lineup includes VCOs with wavefolders and FM, VCAs, VCFs, noise generators, and mixers.<\/p>\n

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MISCELLANEOUS<\/p>\n

RR JANKO Isomorphe Keyboards, NONLINEAR LABS C25, stylish AUXY Svenson 49, KOMA Monoplex Sequencer and the electromagnetic Chromaplane, YAMAHA Montage M8X, CHASE BLISS Big Time Boutique Delay, DADAMACHINES TBD-16 compact drum machine …<\/p>\n

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E-Osmose, an MPE synthesizer and keyboard in one, is now also available in a 61-key version in white and black.<\/p>\n

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Let’s wrap up the tour with a few final impressions…<\/p>\n

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So, how did it go after three days? I have to admit, I\u2019m kind of out of breath. My Irish friend Marcus would roll his eyes and say, \u201cToo much, like!\u201d<\/em> And I didn\u2019t even manage to do half of it. I guess that\u2019s just not possible. \u201cToo much, like!\u201d<\/em> Still, \u201cIt was good!\u201d<\/em> as they say here. I\u2019m looking forward to next year!<\/p>\n

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x<\/span>
\n\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

After Part 1 and a detour to Buchla\u2019s Ziggi synthesizer, we now find ourselves in southern Europe… THE GREAT ROMAN Paolo Groppioni of GRP personally introduced his new GRP A10.… Read More<\/a><\/p>\n","protected":false},"author":4,"featured_media":75542,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2028,2525],"tags":[1252,1615],"class_list":["post-75852","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general","category-stories-en","tag-berlin","tag-superbooth"],"yoast_head":"\nSUPERBOOTH26 \u2013 Synth Expo Berlin (Part 2) - GreatSynthesizers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/greatsynthesizers.com\/en\/general\/superbooth26-synth-expo-berlin-part-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SUPERBOOTH26 \u2013 Synth Expo Berlin (Part 2) - 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Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an T\u00f6nen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Kl\u00e4nge liefert, steht au\u00dfer Frage. Doch tats\u00e4chlich leben wir \u201cheute\u201d in einer nahezu perfekten Zeit. Einerseits hat man \u2013 mehr oder weniger \u2013 noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neuger\u00e4ten die wichtige Komponente des hochwertigen Klanges wieder zunehmend ber\u00fccksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den \u201cKlassikern\u201d in nichts nachstehen. All diesen (alten wie neuen) \u201cgro\u00dfartigen\u201d Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo P\u00e4rt said: \u201cPlaying one tone really well is enough\u201d. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it\u2019s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.\",\"url\":\"https:\\\/\\\/greatsynthesizers.com\\\/en\\\/author\\\/theo\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"SUPERBOOTH26 \u2013 Synth Expo Berlin (Part 2) - GreatSynthesizers","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/greatsynthesizers.com\/en\/general\/superbooth26-synth-expo-berlin-part-2\/","og_locale":"en_US","og_type":"article","og_title":"SUPERBOOTH26 \u2013 Synth Expo Berlin (Part 2) - GreatSynthesizers","og_description":"After Part 1 and a detour to Buchla\u2019s Ziggi synthesizer, we now find ourselves in southern Europe… THE GREAT ROMAN Paolo Groppioni of GRP personally introduced his new GRP A10.… Read More","og_url":"https:\/\/greatsynthesizers.com\/en\/general\/superbooth26-synth-expo-berlin-part-2\/","og_site_name":"GreatSynthesizers","article_published_time":"2026-06-01T04:28:18+00:00","article_modified_time":"2026-06-22T04:38:12+00:00","og_image":[{"width":1600,"height":1000,"url":"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2026\/06\/Superbooth2026-Title4.jpg","type":"image\/jpeg"}],"author":"Theo Bloderer","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Theo Bloderer","Est. reading time":"20 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/greatsynthesizers.com\/en\/general\/superbooth26-synth-expo-berlin-part-2\/#article","isPartOf":{"@id":"https:\/\/greatsynthesizers.com\/en\/general\/superbooth26-synth-expo-berlin-part-2\/"},"author":{"name":"Theo Bloderer","@id":"https:\/\/greatsynthesizers.com\/#\/schema\/person\/aefda20763d7ac7e4e9459972b6ff689"},"headline":"SUPERBOOTH26 \u2013 Synth Expo Berlin (Part 2)","datePublished":"2026-06-01T04:28:18+00:00","dateModified":"2026-06-22T04:38:12+00:00","mainEntityOfPage":{"@id":"https:\/\/greatsynthesizers.com\/en\/general\/superbooth26-synth-expo-berlin-part-2\/"},"wordCount":894,"commentCount":0,"image":{"@id":"https:\/\/greatsynthesizers.com\/en\/general\/superbooth26-synth-expo-berlin-part-2\/#primaryimage"},"thumbnailUrl":"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2026\/06\/Superbooth2026-Title4.jpg","keywords":["Berlin","Superbooth"],"articleSection":["General","Stories"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/greatsynthesizers.com\/en\/general\/superbooth26-synth-expo-berlin-part-2\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/greatsynthesizers.com\/en\/general\/superbooth26-synth-expo-berlin-part-2\/","url":"https:\/\/greatsynthesizers.com\/en\/general\/superbooth26-synth-expo-berlin-part-2\/","name":"SUPERBOOTH26 \u2013 Synth Expo Berlin (Part 2) - 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Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an T\u00f6nen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Kl\u00e4nge liefert, steht au\u00dfer Frage. Doch tats\u00e4chlich leben wir \u201cheute\u201d in einer nahezu perfekten Zeit. Einerseits hat man \u2013 mehr oder weniger \u2013 noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neuger\u00e4ten die wichtige Komponente des hochwertigen Klanges wieder zunehmend ber\u00fccksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den \u201cKlassikern\u201d in nichts nachstehen. All diesen (alten wie neuen) \u201cgro\u00dfartigen\u201d Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo P\u00e4rt said: \u201cPlaying one tone really well is enough\u201d. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it\u2019s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.","url":"https:\/\/greatsynthesizers.com\/en\/author\/theo\/"}]}},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/posts\/75852","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/comments?post=75852"}],"version-history":[{"count":4,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/posts\/75852\/revisions"}],"predecessor-version":[{"id":75860,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/posts\/75852\/revisions\/75860"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/media\/75542"}],"wp:attachment":[{"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/media?parent=75852"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/categories?post=75852"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/tags?post=75852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}