{"id":62544,"date":"2022-12-09T10:59:36","date_gmt":"2022-12-09T09:59:36","guid":{"rendered":"https:\/\/greatsynthesizers.com\/?p=62544"},"modified":"2025-02-22T08:43:51","modified_gmt":"2025-02-22T07:43:51","slug":"asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer","status":"publish","type":"post","link":"https:\/\/greatsynthesizers.com\/en\/review\/asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer\/","title":{"rendered":"ASM Hydrasynth Deluxe: Is DIGITAL the NEW ANALOG?"},"content":{"rendered":"<p class=\"intro\">The ASM Hydrasynth is one of those instruments that automatically triggers that dreaded MUST-HAVE reflex. A reflex from which many synthesizer enthusiasts suffer their whole life. Diagnosis: MUST-HAVE. Therapy: BUY IT NOW. Alternative therapy (the hard way): Try withstanding the reflex, suffering extreme mental torture coupled with complete physical lethargy for months, maybe for years &#8230; until you finally give in and buy it.<br \/>\n<span style=\"color: #ffffff;\">x<\/span><\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-03.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61872 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-03.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-03.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-03-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-03-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-03-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-03-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p><span class=\"dropcap\">W<\/span>ithstanding the MUST-HAVE reflex was easy for us, since some details of the first Hydrasynth version just weren&#8217;t promising. Above all, the short 4-octave keyboard and the limited 8-voice polyphony. An inner voice urged us to be patient. And, lo and behold, two years later, the Hydrasynth Deluxe came along, with a 6-octave keyboard and 16 voices.<\/p>\n<p>Getting there must have been sticky at times. The <strong>Hydrasynth Deluxe<\/strong> in its final form first saw the light of day after the development of the <strong>Hydrasynth Keyboard, <\/strong>the <strong>Hydrasynth Desktop<\/strong> and\u00a0the <strong>Hydrasynth Explorer<\/strong>. These four models all contain the same ASM sound engine, but their layouts and concepts vary significantly, intended for a wide variety of target groups. The models &#8211; from small to large &#8211; at a glance &#8230;<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Complete-Series.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-62154 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Complete-Series.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Complete-Series.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Complete-Series-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Complete-Series-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Complete-Series-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Complete-Series-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<h2><strong><span style=\"color: #ff9900;\">Hydrasynth Desktop<\/span><\/strong><\/h2>\n<ul>\n<li><strong>8 voices <\/strong>(Advanced Wavetable Synthesis)<\/li>\n<li>Hydrasynth synth \/ modulation \/ effect engine<\/li>\n<li><strong>24 PolyTouch pads (<\/strong>velocity and pressure sensitive)<\/li>\n<li><strong>8 encoders, CV\/Gate connections <b class=\"b3\">j<\/b><b class=\"b4\">ust<\/b><b class=\"b5\">\u00a0as\u00a0<\/b><b class=\"b4\">wit<\/b><b class=\"b3\">h<\/b><b class=\"b4\">\u00a0t<\/b><b class=\"b5\">he larger models<\/b><\/strong><\/li>\n<li>Dimensions: 44 x 22.3 x 7 cm; Weight: 3,6 kg<\/li>\n<li><strong>Price: approx. 840 Euros<\/strong><\/li>\n<\/ul>\n<h2><strong><span style=\"color: #ff9900;\">Hydrasynth Explorer<\/span><\/strong><\/h2>\n<ul>\n<li><strong>8 voices <\/strong>(Advanced Wavetable Synthesis)<\/li>\n<li>Hydrasynth synth \/ modulation \/ effect engine<\/li>\n<li><strong>37-note keyboard <\/strong>(slim keys) with velocity and polyphonic aftertouch<\/li>\n<li><strong>2 Ribbon pads instead wheels, 4 encoders and a smaller display,<\/strong> very compact<\/li>\n<li>Dimensions: 55,6 x 25,5 x 8 cm; Weight: 3,4 kg<\/li>\n<li><strong>Price: approx. 555 Euros<\/strong><\/li>\n<\/ul>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-01.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61867 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-01.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-01.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-01-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-01-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-01-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-01-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<h2><strong><span style=\"color: #ff9900;\">Hydrasynth Keyboard<\/span><\/strong><\/h2>\n<ul>\n<li><strong>8 voices <\/strong>(Advanced Wavetable Synthesis)<\/li>\n<li>Hydrasynth synth \/ modulation \/ effect engine<\/li>\n<li><strong>49-note keyboard<\/strong> with velocity and polyphonic aftertouch<\/li>\n<li><strong>4-octave (67 cm) ribbon controller<\/strong> with special <strong>Theremin mode<\/strong><\/li>\n<li><strong>8 encoders and comprehensive CV\/Gate connections<\/strong><\/li>\n<li>Dimensions: 80 x 35 x 10,3 cm; Weight: 10 kg<\/li>\n<li><strong>Price: approx. 1,300 Euros<\/strong><\/li>\n<\/ul>\n<h2><strong><span style=\"color: #ff9900;\">Hydrasynth Deluxe<\/span><\/strong><\/h2>\n<ul>\n<li><strong>16 voices <\/strong>(Advanced Wavetable Synthesis)<\/li>\n<li>Hydrasynth synth \/ modulation \/ effect engine<\/li>\n<li class=\"fx-list__item list-item fx-list__item--circle\"><strong><span class=\"fx-text fx-text--plus list-item__text\">Single mode: 2 independent synthesizers \u00e0 8 voices <\/span><\/strong><span class=\"fx-text fx-text--plus list-item__text\">(plus 2x stereo-outs)<\/span><\/li>\n<li class=\"fx-list__item list-item fx-list__item--circle\"><span class=\"fx-text fx-text--plus list-item__text\"><strong>Multi mode: Keysplit and Dual mode<\/strong>; Balance knob (Lower\/Upper volume)<\/span><\/li>\n<li><strong>73-note keyboard<\/strong> with velocity and polyphonic aftertouch<\/li>\n<li><strong>4-octave (67 cm) ribbon controller<\/strong> with special <strong>Theremin mode<\/strong><\/li>\n<li><strong>8 encoders and comprehensive CV\/Gate connections, <\/strong>laptop-shelf<\/li>\n<li>Dimensions: 113,1 x 35,9 x 11,9 cm; Weight: 13,5 kg<\/li>\n<li><strong>Price: approx. 1,750 Euros<\/strong><\/li>\n<\/ul>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-02.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61870 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-02.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-02.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-02-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-02-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-02-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-02-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p><strong>ASM<\/strong> (<strong>Ashun Sound Machines<\/strong>, belonging to MEDELI Electronics (ShangHai) Co., LTD.) have created an imposing synth family under the all-embracing slogan \u201cDIGITAL IS THE NEW ANALOG\u201d. Is that really true? Let&#8217;s take a closer look at &#8211; and a closer listen to &#8211; the magic Hydrasynth &#8230;<\/p>\n<h2 id=\"viewer-nissf217986\" class=\"mm8Nw _1j-51 _1FoOD _3M0Fe public-DraftStyleDefault-block-depth0 public-DraftStyleDefault-text-ltr\"><span class=\"_2PHJq public-DraftStyleDefault-ltr\">Sound Specifications<\/span><\/h2>\n<p><span class=\"_2PHJq public-DraftStyleDefault-ltr\"><strong>&#8211; 2 &#8220;dynamic&#8221; Oscillators <\/strong><strong>(each with Analog-Modelling \/ Wave-Scanning)<\/strong><\/span><\/p>\n<ul>\n<li><strong>219 single-cycle waveforms<\/strong><\/li>\n<li class=\"fx-list__item list-item fx-list__item--circle\">8 user selectable \u2018wavelists\u2019 per osc to build user wavetables<\/li>\n<li class=\"fx-list__item list-item fx-list__item--circle\">Each osc and patch can have its own user wavetables<\/li>\n<li><strong>WaveScan<\/strong> for morphing between waves<\/li>\n<\/ul>\n<p id=\"viewer-vqwe8218000\" class=\"mm8Nw _1j-51 _1FoOD _3M0Fe public-DraftStyleDefault-block-depth0 public-DraftStyleDefault-text-ltr\"><strong><span class=\"_2PHJq public-DraftStyleDefault-ltr\">&#8211; 1 &#8220;fixed&#8221; Oscillator (Analog-Modelling)<\/span><\/strong><\/p>\n<ul>\n<li><strong>219 single-cycle waveforms<\/strong><\/li>\n<\/ul>\n<p><span class=\"_2PHJq public-DraftStyleDefault-ltr\"><strong>&#8211; 4 Mutants<\/strong> (2 pairs for Osc1 and Osc2)<\/span><\/p>\n<ul>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>FM \u2013 Linear FM<br \/>\n<\/strong>Selectable Modulator source: Built-in Sine &amp; Triangle, OSC1, OSC2, OSC3, Mutants A, B, C, D, Noise gen, Ring Mod, External Mod 1&amp;2 input<\/li>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>WaveStack<\/strong> \u2013 generates 5 detuned waves from the input source; detune amount<\/li>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>Pulse Width Mod<\/strong> \u2013 adjusts pulse width of ALL (!) waveforms<\/li>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>PW-Squeeze<\/strong> \u2013 compresses the center section of the waveform<\/li>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>PW-ASM<\/strong> \u2013 8 user-adjustable wave squeeze\/stretch points<\/li>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>Hard Sync<\/strong> \u2013 gives that classic sync sweep sound<\/li>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>Harmonic Sweep<\/strong> \u2013 will scan through the harmonics of the incoming sound<\/li>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>Phaz Diff<\/strong> &#8211; creates a new sound by combining phase shifting and summing techniques<\/li>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>Dry\/Wet Mix<\/strong> to blend the original OSC source<\/li>\n<\/ul>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-12.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61890 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-12.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-12.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-12-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-12-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-12-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-12-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p id=\"viewer-djsd6218037\" class=\"mm8Nw _1j-51 _1FoOD _3M0Fe public-DraftStyleDefault-block-depth0 public-DraftStyleDefault-text-ltr\"><strong><span class=\"_2PHJq public-DraftStyleDefault-ltr\">&#8211; Noise Generator<\/span><\/strong><\/p>\n<ul>\n<li class=\"_1j-51 _1FoOD _3M0Fe\">White, Pink, Brown, Red, Blue, Violet, Grey Noise<\/li>\n<\/ul>\n<p id=\"viewer-3b1il218041\" class=\"mm8Nw _1j-51 _1FoOD _3M0Fe public-DraftStyleDefault-block-depth0 public-DraftStyleDefault-text-ltr\"><strong><span class=\"_2PHJq public-DraftStyleDefault-ltr\">&#8211; Ring Modulator<\/span><\/strong><\/p>\n<ul>\n<li class=\"_1j-51 _1FoOD _3M0Fe\">Selectable input sources:<br \/>\nOSC1, OSC2, OSC3, Noise, All Mutator outputs, External Mod In<\/li>\n<\/ul>\n<p id=\"viewer-jqevc218050\" class=\"mm8Nw _1j-51 _1FoOD _3M0Fe public-DraftStyleDefault-block-depth0 public-DraftStyleDefault-text-ltr\"><strong><span class=\"_2PHJq public-DraftStyleDefault-ltr\">&#8211; Audio Mixer<\/span><\/strong><\/p>\n<ul>\n<li class=\"_1j-51 _1FoOD _3M0Fe\">Mix the following sources &#8211; OSC1, OSC2, OSC3, Noise, and Ring Mod.<\/li>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>Panning for each source<\/strong><\/li>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>Filter routing mix<\/strong><\/li>\n<li class=\"_1j-51 _1FoOD _3M0Fe\">Solo mode for each source<\/li>\n<\/ul>\n<p id=\"viewer-s9218218060\" class=\"mm8Nw _1j-51 _1FoOD _3M0Fe public-DraftStyleDefault-block-depth0 public-DraftStyleDefault-text-ltr\"><strong><span class=\"_2PHJq public-DraftStyleDefault-ltr\">&#8211; 2 Filters<\/span><\/strong><\/p>\n<ul>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>Serial<\/strong> or <strong>parallel routing<\/strong><\/li>\n<li>Filter drive (for aggressive sounds)<\/li>\n<\/ul>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-13.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61892 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-13.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-13.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-13-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-13-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-13-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-13-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p><strong>&#8211; Filter 1 (Ladder\/Moog, Steiner, Vocal, &#8230;)<\/strong><\/p>\n<ul>\n<li>12 &amp; 24db <strong>Modern ladder filter<\/strong><\/li>\n<li>12 &amp; 24db <strong>Vintage ladder filter<\/strong><\/li>\n<li><strong>Threeler HP, BP, LP<\/strong><br \/>\n(ASM version of the Moog Modular System III VCF)<\/li>\n<li><strong>MS20 HP, LP<\/strong><\/li>\n<li>Low Pass Gate<\/li>\n<li><strong>STN LP, BP, HP<\/strong><br \/>\n(ASM version of the Steiner-Parker VCF)<\/li>\n<li>1 Pole LP<\/li>\n<li>8 Pole LP<\/li>\n<li><strong>Vocal Formant Filter<\/strong><br \/>\n(with various AEIOU \/ UIEAO \/ &#8230;\u00a0 vocal options)<\/li>\n<\/ul>\n<p><strong>&#8211; Filter 2 (<\/strong><strong>2-Pole\/Oberheim SEM)<\/strong><\/p>\n<ul>\n<li>Continuously variable <strong>Low pass<\/strong> &gt; <strong>Band pass<\/strong> &gt; <strong>High pass<\/strong><\/li>\n<li>Continuously variable <strong>Low pass<\/strong> &gt; <strong>Notch<\/strong> &gt; <strong>High pass<\/strong><\/li>\n<\/ul>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-16.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61898 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-16.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-16.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-16-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-16-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-16-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-16-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p><strong>&#8211; 5 + 1 LFOs<\/strong><\/p>\n<ul>\n<li class=\"_1j-51 _1FoOD _3M0Fe\"><strong>5 Main LFOs<\/strong><br \/>\n&#8211; With 10 static waveforms each (Sine, triangle, Square, Saw up, Saw down, S&amp;H, Low random, Noise, Pulse width 25%, Pulse Width 12.5%)<br \/>\n<strong>&#8211; Step Wave<\/strong> function \u2013 64 steps that the user can set (<strong>like a step sequencer<\/strong>)<br \/>\n&#8211; <strong>Clock synchronisation<\/strong><br \/>\n&#8211; One-shot mode<\/li>\n<li><strong>1 global Vibrato-LFO<\/strong> (located in the VOICE Mode)<\/li>\n<\/ul>\n<p><strong>&#8211; 5 Envelopes<\/strong><\/p>\n<ul>\n<li>6-stage DAHDSR Mode<\/li>\n<li>3-stage ADR Mode<\/li>\n<li><strong>Loop function<\/strong> (for AHD)<\/li>\n<li><strong>Clock synchronisation<\/strong><\/li>\n<li>various trigger modes (legato, reset, re-trigger)<\/li>\n<\/ul>\n<p><strong>&#8211; Modulation Matrix<\/strong><\/p>\n<ul class=\"fx-list product-text__list\">\n<li class=\"fx-list__item list-item fx-list__item--circle\"><span class=\"fx-text fx-text--plus list-item__text\">Up to <strong>32 Modulation Slots<\/strong><\/span><\/li>\n<li class=\"fx-list__item list-item fx-list__item--circle\">Modulation slots can be mod destinations<\/li>\n<\/ul>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-11.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61888 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-11.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-11.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-11-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-11-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-11-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-11-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p><strong>&#8211; 8 Macro-Controller<\/strong><\/p>\n<ul>\n<li class=\"_1j-51 _1FoOD _3M0Fe\">Each Macro knob allows up to 8 destination controls<\/li>\n<li class=\"_1j-51 _1FoOD _3M0Fe\">Macros can be modulation destinations themselves<\/li>\n<\/ul>\n<p><strong>&#8211; Ribbon Controller, 2 Wheels, CV\/Gate Section<\/strong><\/p>\n<p>&#8211; Comprehensive <strong>Effekt Section<\/strong> (<em>pre<\/em> and <em>post <\/em>effects)<\/p>\n<p>&#8211; Comprehensive <strong>Arpeggiator Section<\/strong><\/p>\n<p><strong>&#8211; Single Mode:<\/strong> 8&#215;128 sounds<\/p>\n<p><strong>&#8211; Multi Mode:<\/strong> 5&#215;128 sound-combinations (LOWER \/ UPPER)<\/p>\n<h2>The Hydrasynth in use<\/h2>\n<p><span class=\"dropcap\">F<\/span>eature lists may be a pain in the neck, but they are necessary at times. A quick look at the various filter types, at the number of LFOs, a glance at the features &#8230; all there. But as is often the case, the most important information is <em>not<\/em> contained in the lists. What about the Hydrasynth in practice? Is there a gap between theory and reality?<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-05.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61876 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-05.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-05.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-05-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-05-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-05-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-05-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<h2>Wave-Scanning, Audio-Panning and Vocal Filter<\/h2>\n<p><span class=\"dropcap\">W<\/span>hat we particularly like: The <strong>flexible sound engine<\/strong>. Analog modelling combined with wavetables or wave-scanning. The user himself can create 8 wavetable slots (from 219 waveforms) with the first 2 oscillators, and then morph between his own wavetables: <strong>Wave-Scanning<\/strong>.<\/p>\n<p>What we also like: The <strong>direct panning <\/strong>of all audio sources. Select oscillator 1 (or any source) and turn the appropriate of the 8 silver knobs, causing the oscillator to move from left to right or to adjust its PAN position. <em>Exactly<\/em> according to your taste, so to speak. This allows for <strong>quick and intuitive sound design<\/strong> in the Hydrasynth mixer section. Set oscillator 1 to left, oscillator 2 to center, oscillator 3 to right, noise just slightly to the left and the ring modulator just slightly to the right &#8230; simple, but already effective. And while we&#8217;re at it: There are special <strong>Stereo Modes (Rotate \/ Alter \/ Random) <\/strong>in VOICE mode. Reminiscent of the good old Oberheim Matrix-12 \/ Xpander.<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-06.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61878 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-06.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-06.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-06-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-06-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-06-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-06-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p>What we definitely like is the <strong>Vocal Filter<\/strong>. This filter type distinguishes the Hydrasynth from many other synthesizers. As to the rest of the Hydrasynth filter modes (\u00e0 la Moog III etc.) created by <em>digital<\/em> filters &#8230; they are nice and surely useable, but &#8230; so what? ASM compared with Steiner? ASM compared with a Korg MS-20? Digital technology makes it possible to emulate <em>anything<\/em> with acceptable tonal results! But does that make DIGITAL the NEW ANALOG? <em>Digital Ladder Filter<\/em> is a contradiction in itself, digital has nothing to do with ladders. But the Vocal Filter (A-E-I-O-U, &#8230;) is nice. The Vocal Filter is new.<\/p>\n<h2>LFOs with hidden 64-Step Sequencer(s)<\/h2>\n<p><span class=\"dropcap\">W<\/span>ith so many sound-design possibilities, the musician may want to quickly get past all that &#8220;up and down&#8221; and &#8220;random&#8221; arpeggiator hopping to <em>real<\/em> melodies. Not only via MIDI, but directly on the Hydrasynth. And, lo and behold, a comprehensive <strong>64-step sequencer<\/strong> <em>is<\/em> hidden in the LFO area. A bit tricky to program step-by-step, but there is also the possibility to record those spontaneous melodies using <strong>Keyboard Note Entry<\/strong>.<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-07.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61880 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-07.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-07.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-07-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-07-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-07-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-07-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p>Particularly remarkable: Since there are <strong>5 Main LFOs<\/strong>, you can generate up to <strong>5 (!) step sequencers<\/strong> &#8211; and control each audio source with its own LFO\/sequencer: the bassline, the melody, the rhythm pattern (noise source), the experimental track (ring modulator), etc. Setting the Fade-In and Fade-Out of the audio sources (each with a slightly different PAN position) enables you to <strong>spontaneously perform<\/strong>\u00a0in the Hydrasynth mixer section <strong>live<\/strong>. Not bad.<\/p>\n<h2>Hydrasynth Workflow<\/h2>\n<p><span class=\"dropcap\">W<\/span>hoever was responsible for the development and conception of the Hydrasynths (according to the manual, it was a large team of professionals) did a great job! With regard to the comprehensive synth architecture, the Hydrasynth workflow is well-thought-out and user-friendly. The module path is clearly laid out, with each individual access button at your fingertips. Then there are silver knobs which allow spontaneous adjustments in the filter- and arpeggiator section. Obviously, the designers were focussing on <em>instant musical performance<\/em>.<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-08.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61882 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-08.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-08.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-08-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-08-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-08-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-08-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p>Beyond that, there are the Macros &#8230;<\/p>\n<p><em>&#8220;Macros are powerful, expressive tools for song creation and live performance. Every Single mode patch can have up to 8 Macros, so a Multi has access to as many as 16 of them. Each Macro is a combination of one of the Control knob \/ button pairs and a list of destinations, sort of like a private Mod Matrix grouped around the right display. In fact, Macros can even control the Mod Matrix mod routes (and vice versa). You can create and modify Macros to match your music and your style.&#8221;<\/em><\/p>\n<p>(<a href=\"https:\/\/www.mecldata.com\/download\/asm\/Hydrasynth_Deluxe_Owners_Manual_1.0.0.pdf\" target=\"_blank\" rel=\"noopener\">Hydrasynth_Deluxe_Owners_Manual_1.0.0.pdf<\/a>,\u00a0page 81)<\/p>\n<p>In addition, there are individual buttons for LATCH (Hold), BROWSE (targeted sound selection), RANDOM (random sound design) and Octave DOWN \/ UP, CHORD, HOME, as well as buttons dedicated to the multi-mode: UPPER \/ LOWER and (the useful) volume BALANCE knob. The latter elements, with their simple, logical workflow, have stood the test of time since their first appearance in the <a href=\"https:\/\/greatsynthesizers.com\/en\/review\/roland-jupiter-8-the-great-master-of-synth-pop\/\" target=\"_blank\" rel=\"noopener\">Roland Jupiter-8<\/a>\u00a0some 40 years ago.<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-15.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61896 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-15.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-15.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-15-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-15-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-15-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-15-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p>All in all, the light-footed operation of the ASM Hydrasynth is a product of its quality hardware (knobs, switches, wheels, ribbon controller, &#8230;), effective design (colored illuminated buttons, &#8230;), and its clearly written manual (although this would have been even better printed in color).<\/p>\n<h2>Reality in the studio<\/h2>\n<p><em>There is no one reality.<\/em> Reality in the singular is a contradiction in itself. Everyone experiences differently. So when we speak, we are speaking from our own point of view. Only. Here&#8217;s <em>our<\/em> Hydrasynth reality in the studio &#8230;<\/p>\n<p>In contrast to its well-thought-out user surface and sound architecture \/ structure, the Hydrasynth abounds in technical details. For those willing to intensively involve themselves with all the workings of the Hydrasynth, the instrument can open new windows to programming, sound design and performance.<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-10.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61886 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-10.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-10.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-10-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-10-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-10-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-10-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p>But woe to those who cannot devote themselves intensively to the Hydrasynth, to those who have to interrupt their work occasionally, to those who can only return to the instrument every few weeks &#8230; those musicians may be in danger of getting lost in the multitude of Hydrasynth functions, sub-menues, etc. Where do I find the global vibrato LFO? (<em>Not<\/em> in the LFO section.) How do I select <em>individual<\/em> sounds in multi mode? How do I reduce a too-high dosis of effects? Or, better yet, how do I switch the effects off altogether? How do I modulate the filter frequency via ribbon &#8230; in just a few steps?<\/p>\n<p>Or: Where is the snap function for particularly fast envelopes? (<em>Not<\/em> in the envelope section.) How can certain work steps be reduced? (Ah yes &#8230; by way of the countless shortcuts described in the user manual. But what were those in detail again?) Where is <em>Warm Mode<\/em> for a \u201cmore analog\u201d sound? Where is <em>Micro Tuning<\/em> and where is oscillator spreading in unison mode? Questions over questions.<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-19.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61904 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-19.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-19.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-19-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-19-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-19-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-19-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p>In a nutshell: Anyone using the Hydrasynth as his main synthesizer, anyone working intensively on the instrument will internalize the complex but manageable user interface and will quickly benefit from its intricacy. After a few days of programming, he will surf through the Hydrasynth menus and switch from one scenario to another with the agility of a pro. However, if he has other synthesizers in the studio and only occasionally switches to the Hydrasynth, he could be overwhelmed <em>ad hoc<\/em> with the complex user guidance. After every break, the operative perspective might be missing as well as the one or the other shortcut, that direct path to fast and enjoyable work in the studio. Knowing that such and such solutions theoretically exist does no mean knowing where they are in practice and in detail.<\/p>\n<p>A tricky situation &#8230;<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-18.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61902 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-18.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-18.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-18-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-18-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-18-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-18-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<h2>The Hydrasynth SOUND and its Digital \/ Analog quality<\/h2>\n<p><strong><span class=\"dropcap\">T<\/span>he Hydrasynth sounds good<\/strong>. Not <em>very good<\/em>, not <em>excellent<\/em>. but <em>good<\/em>. Which may seem a little harsh, but relates to ASM talking about the &#8220;New Analog&#8221;. From that point of view, our rating has to remain a <em>good<\/em>. The one reality of the Hydrasynth is its enormous variety of sounds, creative possibilities, many modulation routings, etc. Everything, <em>technically<\/em>, a Chinese tour de force.<\/p>\n<p>But there is another reality. Listen to the attached example <strong>&#8220;Osc Sync&#8221;<\/strong> and you will realize: That what you are hearing &#8211; one of the presets, at the same time a prime example of the analog sound type par excellence &#8211; sounds as if it was wrapped in cotton wool. Not bad, but a far cry from the brutal &#8220;I&#8217;m-sitting-in-front-of-the-speaker-and-jumping-into-your-mixer-console&#8221; presence of many historic analog sync sounds. Maybe this wrapped-in-cotton-wool Hydrasynth sound comes from the internal effect\/audio routing. Maybe you can increase the presence of the sound by using parameter X or parameter Y. Yes, maybe.<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-14.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61894 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-14.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-14.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-14-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-14-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-14-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-14-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p>Nonetheless, the basic Hydrasynth sound is what it is: versatile, good, exciting at times, but occasionally a bit muffled, a bit reserved. And if things do get loud (by setting all AMPlifier settings to maximum, for example), <em>digital<\/em> clipping kicks in instead of the <em>analog<\/em> dynamics we were looking for. So, digital isn&#8217;t the new analog here.<\/p>\n<p>We have to admit that we haven&#8217;t tested the behavior of the Hydrasynth sound extensively in the mix. It is very possible that this somewhat reserved sound character fits perfectly into the overall audio picture. So, our conservative view of the synthesizer as a solo instrument is certainly only one side of the story. One reality, so to speak.<\/p>\n<h2>CV-Panel and Audio-Modulation<\/h2>\n<p><span class=\"dropcap\">N<\/span>ice: The Hydrasynth CV-panel. For interactions with a variety of Eurorack equipment and all kinds of analog voltages. For experimental, for hybrid, for comprehensive sound design of all kinds.<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-CV-Panel.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-62556 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-CV-Panel.jpg\" alt=\"\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-CV-Panel.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-CV-Panel-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-CV-Panel-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-CV-Panel-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-CV-Panel-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p>Being a curious lot, we wanted to get to the bottom of the ASM assertion that MOD 1 and MOD 2 inputs can process CV modulations in the audio frequency range. To the point: With our Hydrasynth Deluxe, the external modulation with audio frequency ranges doesn&#8217;t work all that well. Regular LFO modulations yes, but, into the audio range, the sound breaks down.<\/p>\n<p>The result can be heard in the attached soundfile <strong>\u201cExternal CV Modulation\u201d<\/strong>. A classic 921 (Moog) VCO is routed to the Hydrasynth filter via MOD 1 and the 921 frequency is changed from LOW Frequ to HIGH Frequ. As soon as it moves in the direction of &#8220;high audio\/modulation rate&#8221;, the recognizable filter modulation stops and the rattling starts. So this doesn&#8217;t work without digital artefacts \/ background noises. Which is not a reproach, because all digital synthesizers are faced with this challenge of processing audio modulation stuff.<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-20.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61906 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-20.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-20.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-20-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-20-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-20-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-20-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<h2>Polyphonic Aftertouch<\/h2>\n<p><span class=\"dropcap\">P<\/span>oly aftertouch is a real rarity and musically a fine thing. Expressive playing on the keyboard with an emphasis on individual tones opens up musical levels that come as close as we can get to the very essence of <em>polyphony<\/em>. We&#8217;re talking about several <em>individual<\/em> voices that sound together <em>as a whole<\/em>, while retaining their individualilty: their unique timbre, their individual volume, etc. Poly aftertouch makes this possible.<\/p>\n<p>On the Hydrasynth Deluxe, the polyphonic aftertouch works, but things become a bit distorted. Filter frequency modulation via Poly-AT is a telling example. Listen carefully: zipper noises \/ digital artefacts accompany the emphases of the individual voices. Meaning the polyphonic tour de force cannot always be effected without digital background noise (once again). And, unlike playing a Yamaha CS-80 or Prophet T8, the perception here is not so much that of a <em>natural<\/em> instrument, as of an <em>electronic<\/em> instrument in the process of integrating polyphonic aftertouch. And that&#8217;s the big difference.<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-21.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61908 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-21.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-21.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-21-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-21-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-21-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-21-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<h2>Despite all: Stunning Hydrasynth Potential. Some compliments &#8230;<\/h2>\n<p><span class=\"dropcap\">T<\/span>o end on a positive note, we mention three particularly notable aspects of the Hydrasynth Deluxe: The <strong>Modulation Matrix<\/strong>, the <strong>Multi-Mode<\/strong> (only bi-timbral, but with a double stereo output) and the comprehensive <strong>Effects Department<\/strong>. Each of these features can mean a rich field of activity in terms of musical expressiveness and comprehensive sound design.<\/p>\n<p>The above epitomes of digital technology, now standard in many synthesizers, may be the key to the ASM slogan &#8220;DIGITAL IS THE NEW ANALOG&#8221;. Our explanation: <em>&#8220;Digital &#8230; is &#8230; digital.&#8221; <\/em>To us, that&#8217;s obvious, of course. Nobody wants to do without it. And that was never part of the plan. Whereas the sound of a Hydrasynth &#8211; despite its polyphonic aftertouch &#8211; isn&#8217;t quite equivalent to that of a legendary Yamaha CS-80, nobody would actually expect it. We simply have to accept the fact that analog is analog and digital is digital. Meaning, while we enjoy the benefits of digital technology, we have, at the same, to accept its side-effects.<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-22.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61910 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-22.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-22.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-22-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-22-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-22-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-22-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<h2>Conclusion<\/h2>\n<p><span class=\"dropcap\">A<\/span> quick look at the price of the &#8220;big&#8221; instrument: For around 1,800 USD \/ 1,700 Euros, the new Hydrasynth Deluxe owner gets a comprehensive 16-voice Wavetable &amp; Co. synthesizer with 73 keys, polyphonic aftertouch, ribbon controller (including Theremin mode) and \u2013 in addition to digital refinements such as LFO step sequencers \u2013 with an extra CV patch panel. Not bad.<\/p>\n<p>The Hydrasynth line-up is noteworthy: tasteful controls, stable hardware (we see the 12V PSU <em>connection<\/em> as the only vulnerable aspect), enormous sound resources, macros for particularly dynamic performances, as well as such little things as comprehensive online support and the detailed manual. A pretty good package!<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-09.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61884 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-09.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-09.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-09-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-09-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-09-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-09-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p>Then, however, there are other considerations. Reflections on the not-quite-modest slogan \u201cDIGITAL IS THE NEW ANALOG\u201d. What if the base sound is <em>good<\/em>, but generally a little understated? What if modulations in extreme frequency ranges only work to a limited extent and the widely advertised polyphonic aftertouch produces subtle, but still present, digital background noise? Is that still a good package? It is, if you are fully aware of what you are buying.<\/p>\n<p>Leaving the boasting aside, let&#8217;s look at the Hydrasynth Deluxe for that which it is: <strong>a DIGITAL WAVE MORPHING SYNTHESIZER with good sounds, equipped with many refinements. Designed for instant and satisfying musical performance.<\/strong><\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-04.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-61874 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-04.jpg\" alt=\"ASM Hydrasynth Digital Synthesizer\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-04.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-04-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-04-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-04-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/10\/ASM-Hydrasynth-Deluxe-04-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<p>From this point of view, it&#8217;s a wonderful instrument.<br \/>\nEven if it&#8217;s not analog.<\/p>\n<hr \/>\n<p><span style=\"color: #ffffff;\">x<\/span><br \/>\n50+ minutes of audio samples are attached. In addition to the wavetables, the acoustic highlights include, above all, various oscillator panorama modulations (manually or via LFO), the sound of the unmistakable vocal filter, various ribbon controller performances (for tonal effects and for CV-modulations), LFO clock synchronization, the LFO step sequencer function and the sophisticated arpeggiator. The <strong>ASM Hydrasynth Deluxe <\/strong>is the one and only synthesizer used. To be exact, the drums in &#8220;Demo 2&#8221; derive from a Roland R-8 <em>Human Rhythm Composer<\/em>.<\/p>\n<p><a href=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Website-SLOGAN.jpg\" data-rel=\"lightbox-gallery-SzHRJDV8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-63175 lazyload\" data-src=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Website-SLOGAN.jpg\" alt=\"ASM Hydrasynth\" width=\"1600\" height=\"1000\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Website-SLOGAN.jpg 1600w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Website-SLOGAN-768x480.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Website-SLOGAN-1536x960.jpg 1536w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Website-SLOGAN-660x413.jpg 660w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Website-SLOGAN-1000x625.jpg 1000w\" data-sizes=\"(max-width: 1600px) 100vw, 1600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1600px; --smush-placeholder-aspect-ratio: 1600\/1000;\" \/><\/a><\/p>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n\t<div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n\t\t\t<div class=\"wp-playlist-current-item\"><\/div>\n\t\t<audio controls=\"controls\" preload=\"none\" width=\"638\"\n\t\t\t><\/audio>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Demo-1-1.mp3'>Hydrasynth-Demo-1<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Demo-2.mp3'>Hydrasynth-Demo-2<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Demo-3.mp3'>Hydrasynth-Demo-3<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Analog.mp3'>Hydrasynth-The NEW Analog ?<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-ExtMod.mp3'>Hydrasynth-ExtMod<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Baroque-Meets-PPG.mp3'>Hydrasynth-Baroque-Meets-PPG<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Arpeggio-1.mp3'>Hydrasynth-Arpeggio-1<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Arpeggio-2.mp3'>Hydrasynth-Arpeggio-2<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Arpeggio-3.mp3'>Hydrasynth-Arpeggio-3<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-LaNuit.mp3'>Hydrasynth-LaNuit<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Sync.mp3'>Hydrasynth-Sync<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Sequence-1.mp3'>Hydrasynth-Sequence-1<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Sequence-2.mp3'>Hydrasynth-Sequence-2<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Massive-Glide.mp3'>Hydrasynth-Massive-Glide<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Chorus-Strings.mp3'>Hydrasynth-Chorus-Strings<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Vowel-Filter.mp3'>Hydrasynth-Vowel-Filter<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Unison.mp3'>Hydrasynth-Unison<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Techno.mp3'>Hydrasynth-Techno<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Atmosphere-1.mp3'>Hydrasynth-Atmosphere-1<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Atmosphere-2.mp3'>Hydrasynth-Atmosphere-2<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Atmosphere-3.mp3'>Hydrasynth-Atmosphere-3<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Wavetable-Modulation.mp3'>Hydrasynth-Wavetable-Modulation<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Microtonal-Madness.mp3'>Hydrasynth-Microtonal-Madness<\/a><\/li><li><a href='https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/Hydrasynth-Rhodes-Piano.mp3'>Hydrasynth-Rhodes-Piano<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" class=\"wp-playlist-script\">{\"type\":\"audio\",\"tracklist\":true,\"tracknumbers\":true,\"images\":true,\"artists\":true,\"tracks\":[{\"src\":\"https:\\\/\\\/greatsynthesizers.com\\\/wp\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/Hydrasynth-Demo-1-1.mp3\",\"type\":\"audio\\\/mpeg\",\"title\":\"Hydrasynth-Demo-1\",\"caption\":\"ASM Hydrasynth Deluxe - Demo 1\",\"description\":\"\\u201eHydrasynth-Demo-1\\u201c.\",\"meta\":{\"artist\":\"ASM Hydrasynth 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Deluxe\",\"length_formatted\":\"1:05\"},\"image\":{\"src\":\"https:\\\/\\\/greatsynthesizers.com\\\/wp\\\/wp-includes\\\/images\\\/media\\\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\\\/\\\/greatsynthesizers.com\\\/wp\\\/wp-includes\\\/images\\\/media\\\/audio.svg\",\"width\":48,\"height\":64}}]}<\/script>\n<\/div>\n\t\n<div class=\"box lightgrey-box\">\n<h2>ASM Hydrasynth<br \/>\nDesktop \/ Explorer \/ Keyboard \/ Deluxe<\/h2>\n<p><strong>Polyphonic Digital Synthesizer<br \/>\nAnalog Modelling \/ Wave Scanning<\/strong><br \/>\n<strong>8 to 16 Voices<\/strong><\/p>\n<p>Prices (as of 02\/2024):<\/p>\n<ul>\n<li><strong>Hydrasynth Explorer<\/strong>: 599 USD \/ 579 Euros<\/li>\n<li><strong>Hydrasynth Desktop<\/strong>: 799 USD \/ 839 Euros<\/li>\n<li><strong>Hydrasynth Keyboard<\/strong>: 1,299 USD \/ 1,099 Euros<\/li>\n<li><strong>Hydrasynth Deluxe<\/strong>: 1,799 USD \/ 1,689 Euros<\/li>\n<\/ul>\n<p>Website Manufacturer:<br \/>\n<a href=\"https:\/\/www.ashunsoundmachines.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.ashunsoundmachines.com<\/a><\/p>\n<p><iframe title=\"YouTube video player\" data-src=\"https:\/\/www.youtube.com\/embed\/bDWxag85Jpg\" width=\"900\" height=\"500\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><br \/>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The ASM Hydrasynth is one of those instruments that automatically triggers that dreaded MUST-HAVE reflex. A reflex from which many synthesizer enthusiasts suffer their whole life. Diagnosis: MUST-HAVE. Therapy: BUY&hellip; <a class=\"excerpt-more-link\" href=\"https:\/\/greatsynthesizers.com\/en\/review\/asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer\/\">Read More<\/a><\/p>\n","protected":false},"author":4,"featured_media":62553,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2724,2171,2029],"tags":[2922,2924,2923,1880],"class_list":["post-62544","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2022-tb-en","category-featured-en","category-review","tag-asm-hydrasynth-2","tag-digital-lwave-scanning-synthesizer","tag-hydrasynth-deluxe","tag-wavetable-synthesizer-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ASM Hydrasynth Deluxe: Is DIGITAL the NEW ANALOG? - GreatSynthesizers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/greatsynthesizers.com\/en\/review\/asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ASM Hydrasynth Deluxe: Is DIGITAL the NEW ANALOG? - GreatSynthesizers\" \/>\n<meta property=\"og:description\" content=\"The ASM Hydrasynth is one of those instruments that automatically triggers that dreaded MUST-HAVE reflex. A reflex from which many synthesizer enthusiasts suffer their whole life. Diagnosis: MUST-HAVE. Therapy: BUY&hellip; Read More\" \/>\n<meta property=\"og:url\" content=\"https:\/\/greatsynthesizers.com\/en\/review\/asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer\/\" \/>\n<meta property=\"og:site_name\" content=\"GreatSynthesizers\" \/>\n<meta property=\"article:published_time\" content=\"2022-12-09T09:59:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-22T07:43:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2022\/11\/ASM-Hydrasynth-Title-2022.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Theo Bloderer\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Theo Bloderer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"19 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/greatsynthesizers.com\\\/en\\\/review\\\/asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/greatsynthesizers.com\\\/en\\\/review\\\/asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer\\\/\"},\"author\":{\"name\":\"Theo Bloderer\",\"@id\":\"https:\\\/\\\/greatsynthesizers.com\\\/#\\\/schema\\\/person\\\/aefda20763d7ac7e4e9459972b6ff689\"},\"headline\":\"ASM Hydrasynth Deluxe: Is DIGITAL the NEW ANALOG?\",\"datePublished\":\"2022-12-09T09:59:36+00:00\",\"dateModified\":\"2025-02-22T07:43:51+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/greatsynthesizers.com\\\/en\\\/review\\\/asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer\\\/\"},\"wordCount\":3161,\"commentCount\":7,\"image\":{\"@id\":\"https:\\\/\\\/greatsynthesizers.com\\\/en\\\/review\\\/asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/greatsynthesizers.com\\\/wp\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/ASM-Hydrasynth-Title-2022.jpg\",\"keywords\":[\"ASM Hydrasynth\",\"Digital lWave Scanning Synthesizer\",\"Hydrasynth Deluxe\",\"Wavetable Synthesizer\"],\"articleSection\":[\"2022\",\"Featured\",\"Reviews\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/greatsynthesizers.com\\\/en\\\/review\\\/asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/greatsynthesizers.com\\\/en\\\/review\\\/asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer\\\/\",\"url\":\"https:\\\/\\\/greatsynthesizers.com\\\/en\\\/review\\\/asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer\\\/\",\"name\":\"ASM Hydrasynth Deluxe: Is DIGITAL the NEW ANALOG? 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Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an T\u00f6nen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Kl\u00e4nge liefert, steht au\u00dfer Frage. Doch tats\u00e4chlich leben wir \u201cheute\u201d in einer nahezu perfekten Zeit. Einerseits hat man \u2013 mehr oder weniger \u2013 noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neuger\u00e4ten die wichtige Komponente des hochwertigen Klanges wieder zunehmend ber\u00fccksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den \u201cKlassikern\u201d in nichts nachstehen. All diesen (alten wie neuen) \u201cgro\u00dfartigen\u201d Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo P\u00e4rt said: \u201cPlaying one tone really well is enough\u201d. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it\u2019s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.\",\"url\":\"https:\\\/\\\/greatsynthesizers.com\\\/en\\\/author\\\/theo\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"ASM Hydrasynth Deluxe: Is DIGITAL the NEW ANALOG? - GreatSynthesizers","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/greatsynthesizers.com\/en\/review\/asm-hydrasynth-deluxe-digital-wave-morphing-synthesizer\/","og_locale":"en_US","og_type":"article","og_title":"ASM Hydrasynth Deluxe: Is DIGITAL the NEW ANALOG? - GreatSynthesizers","og_description":"The ASM Hydrasynth is one of those instruments that automatically triggers that dreaded MUST-HAVE reflex. A reflex from which many synthesizer enthusiasts suffer their whole life. Diagnosis: MUST-HAVE. 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Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an T\u00f6nen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Kl\u00e4nge liefert, steht au\u00dfer Frage. Doch tats\u00e4chlich leben wir \u201cheute\u201d in einer nahezu perfekten Zeit. Einerseits hat man \u2013 mehr oder weniger \u2013 noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neuger\u00e4ten die wichtige Komponente des hochwertigen Klanges wieder zunehmend ber\u00fccksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den \u201cKlassikern\u201d in nichts nachstehen. All diesen (alten wie neuen) \u201cgro\u00dfartigen\u201d Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo P\u00e4rt said: \u201cPlaying one tone really well is enough\u201d. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it\u2019s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.","url":"https:\/\/greatsynthesizers.com\/en\/author\/theo\/"}]}},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/posts\/62544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/comments?post=62544"}],"version-history":[{"count":193,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/posts\/62544\/revisions"}],"predecessor-version":[{"id":67920,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/posts\/62544\/revisions\/67920"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/media\/62553"}],"wp:attachment":[{"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/media?parent=62544"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/categories?post=62544"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/tags?post=62544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}