{"id":21639,"date":"2015-09-17T16:59:42","date_gmt":"2015-09-17T16:59:42","guid":{"rendered":"http:\/\/greatsynthesizers.com\/?p=21639"},"modified":"2019-03-26T17:23:22","modified_gmt":"2019-03-26T17:23:22","slug":"ernst-kreneks-buchla-synthesizer-part-2","status":"publish","type":"post","link":"https:\/\/greatsynthesizers.com\/en\/general\/ernst-kreneks-buchla-synthesizer-part-2\/","title":{"rendered":"Ernst Krenek\u2019s Buchla Synthesizer (Part 2)"},"content":{"rendered":"

As we saw in part one of our report<\/a>, there is a significant amount of sound potential in Ernst Krenek’s Buchla System – all the more since it consists of two<\/em> instruments. In reality, it’s twice as big as it looks. Although the Buchla 100 Series is optically no match for the Moog Modular System or the ARP 2500, it was not exactly cheap when he purchased it in 1967.<\/p>\n

\"Buchla-Synthesizer1976-Krenek-26\"<\/a><\/h3>\n

Pic: Ernst Krenek (1900-1991)<\/h3>\n

If Ernst Krenek hadn’t laid the foundation for his modest wealth many decades earlier with the opera “Jonny spielt auf”, he wouldn’t have been able to afford the Buchla. [The opera opened 1927 in Leipzig and played a total of 421 nights during its first run.]<\/p>\n

\"Buchla-Synthesizer1976-Krenek-28\"<\/a>PIC: Piano reduction of the opera. Title picture by Arthur Stadler.<\/h3>\n

From the beginning of the 1940s, Krenek had been involved in Serial Music, along with Aleatoric and Electronic Music. And an invitation to the Studio For Electronic Music of the WDR in Cologne in the 1950s had initially encouraged him to establish his own electronic music studio.<\/p>\n

\"Buchla-Synthesizer1976-Krenek-23\"<\/a><\/p>\n

“He became an American citizen in 1945. He later moved to Toronto, Canada, where he taught at The Royal Conservatory of Music during the 1950s. His students included Milton Barnes, Lorne Betts, Samuel Dolin, Robert Erickson, Halim El-Dabh, Richard Maxfield, Will Ogdon, and George Perle. He died in Palm Springs, California, where he had lived since 1966. In 1998 Gladys Nordenstrom founded the Ernst Krenek Institute; in 2004 the private foundation moved from Vienna to Krems, Austria.” <\/em><\/p>\n

(https:\/\/en.wikipedia.org\/wiki\/Ernst_Krenek<\/a>)<\/p>\n

\"Buchla-Synthesizer1976-Krenek-27\"<\/a><\/p>\n

We’ll close our brief resumee of Ernst Krenek and his Buchla Synthesizer with further pictures of his instrument (and of the Buchla filter 291).<\/p>\n

\"Buchla-Synthesizer1976-Krenek-21\"<\/a><\/p>\n

\"Buchla-Synthesizer1976-Krenek-13\"<\/a><\/p>\n

\"Buchla-Synthesizer1976-Krenek-14\"<\/a><\/p>\n

\"Buchla-Synthesizer1976-Krenek-07\"<\/a><\/p>\n

\"Buchla-Synthesizer1976-Krenek-06\"<\/a><\/p>\n

\"Buchla-Synthesizer1976-Krenek-20\"<\/a><\/p>\n

\"Buchla-Synthesizer1976-Krenek-22\"<\/a><\/p>\n

<\/h3>\n

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2013<\/p>\n

Further Info:<\/p>\n

Report: Ernst Krenek\u2019s Buchla Synthesizer (Part 1)<\/a><\/p>\n

Krenek \/ Wikipedia: https:\/\/en.wikipedia.org\/wiki\/Ernst_Krenek<\/a>
\nKrenek Institut: www.krenek.at<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

As we saw in part one of our report, there is a significant amount of sound potential in Ernst Krenek’s Buchla System – all the more since it consists of… Read More<\/a><\/p>\n","protected":false},"author":4,"featured_media":33389,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2240,2028],"tags":[1876,1875,1878],"class_list":["post-21639","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2015-en","category-general","tag-1967-en","tag-ernst-krenek-en","tag-jonny-spielt-auf-en"],"yoast_head":"\nErnst Krenek\u2019s Buchla Synthesizer (Part 2) - GreatSynthesizers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/greatsynthesizers.com\/en\/general\/ernst-kreneks-buchla-synthesizer-part-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ernst Krenek\u2019s Buchla Synthesizer (Part 2) - 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Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an T\u00f6nen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Kl\u00e4nge liefert, steht au\u00dfer Frage. Doch tats\u00e4chlich leben wir \u201cheute\u201d in einer nahezu perfekten Zeit. Einerseits hat man \u2013 mehr oder weniger \u2013 noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neuger\u00e4ten die wichtige Komponente des hochwertigen Klanges wieder zunehmend ber\u00fccksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den \u201cKlassikern\u201d in nichts nachstehen. All diesen (alten wie neuen) \u201cgro\u00dfartigen\u201d Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo P\u00e4rt said: \u201cPlaying one tone really well is enough\u201d. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it\u2019s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. 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All diesen (alten wie neuen) \u201cgro\u00dfartigen\u201d Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo P\u00e4rt said: \u201cPlaying one tone really well is enough\u201d. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it\u2019s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. 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