{"id":16822,"date":"2014-01-26T16:30:10","date_gmt":"2014-01-26T16:30:10","guid":{"rendered":"http:\/\/greatsynthesizers.com\/?p=16822"},"modified":"2019-03-26T17:24:33","modified_gmt":"2019-03-26T17:24:33","slug":"moog-sub-37-what-is-paraphonic","status":"publish","type":"post","link":"https:\/\/greatsynthesizers.com\/en\/general\/moog-sub-37-what-is-paraphonic\/","title":{"rendered":"Moog Sub 37 &#8211; what is &#8220;paraphonic&#8221;?"},"content":{"rendered":"<p>The new Moog baby has arrived. Moog SUB 37. A cross between a Sub Phatty and a Little Phatty. And it&#8217;s PARAPHONIC! Huh? Well, both oscillators can be independently controlled. In some way it&#8217;s &#8220;sort of&#8221; duophonic &#8230;<\/p>\n<p><a class=\"colorbox\" href=\"http:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2014\/01\/Moog-Sub37-Synthesizer.jpg\" data-rel=\"lightbox-gallery-rlajCif8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" class=\"alignnone size-full wp-image-32441 lazyload\" alt=\"Moog-Sub37-Synthesizer\" data-src=\"http:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2014\/01\/Moog-Sub37-Synthesizer.jpg\" width=\"900\" height=\"550\" data-srcset=\"https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2014\/01\/Moog-Sub37-Synthesizer.jpg 900w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2014\/01\/Moog-Sub37-Synthesizer-480x293.jpg 480w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2014\/01\/Moog-Sub37-Synthesizer-768x469.jpg 768w, https:\/\/greatsynthesizers.com\/wp\/wp-content\/uploads\/2014\/01\/Moog-Sub37-Synthesizer-471x288.jpg 471w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/550;\" \/><\/a><\/p>\n<p>The SUB 37 panel features 40 knobs, 74 switches and has a dedicated LCD display &#8230;<\/p>\n<p><!--more--><\/p>\n<p>SUB 37 info:<\/p>\n<ul>\n<li><strong>2 VCOs<\/strong>, Selectable monophonic or paraphonic. Plus a <strong>sub-oscillator<\/strong>.<\/li>\n<li>20Hz-20Khz <strong>Moog Ladder Filter<\/strong> w\/ 6\/12\/18\/24 dB\/Oct Filter Slopes (this reminds us of the GRP A4 synthesizer) and <strong><em>MultiDrive<\/em><\/strong><\/li>\n<li><strong>2 DAHDSR<\/strong> (Delay, Attack, Hold, Decay, Sustain, Release) &#8211; loopable envelopes (again, similar to the GRP A4, but to be honest &#8211; it was the EMS VCS 3 back in 1969 that introduced loopable envelopes, later continued by the OSCar and the EDP Wasp)<\/li>\n<li>37-note keyboard (hence the name &#8230;) with <strong>velocity<\/strong> and <strong>aftertouch<\/strong><\/li>\n<li>2 flexible <strong>modulation busses<\/strong>, glide<\/li>\n<li><strong>Arpeggiator<\/strong> and <strong>step sequencer<\/strong><\/li>\n<li>256 presets, <strong>MIDI<\/strong>, MIDI-USB, <strong>CV\/Gate<\/strong> (Filter CV, Pitch CV, Volume CV, KB Gate)<\/li>\n<\/ul>\n<p>The <strong>modulation busses<\/strong> in detail:<\/p>\n<p><strong>&gt; sources: <\/strong>LFO, Filter Envelope, Programmable Sources &#8211; Amp Env,Osc1\/Osc2 Pitch<\/p>\n<p><strong>&gt; destinations:<\/strong> Osc1\/Osc2\/Both Pitch, Filter Cutoff, Osc1\/Osc2\/Both Wave, VCA, LFO1\/LFO2 Rate, Noise Level, EG Time. Programmable Destinations &#8211; Filter resonance, drive, slope, EG amt. Osc1\/Osc2\/Sub Level, Feedback\/Ext Level.<\/p>\n<p>Further information on the SUB 37 see:<br \/>\n<a title=\"Moog SUB 37\" href=\"http:\/\/www.moogmusic.com\/node\/92877\" target=\"_blank\">www.moogmusic.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The new Moog baby has arrived. Moog SUB 37. A cross between a Sub Phatty and a Little Phatty. And it&#8217;s PARAPHONIC! Huh? Well, both oscillators can be independently controlled.&hellip; <a class=\"excerpt-more-link\" href=\"https:\/\/greatsynthesizers.com\/en\/general\/moog-sub-37-what-is-paraphonic\/\">Read More<\/a><\/p>\n","protected":false},"author":4,"featured_media":32441,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2028],"tags":[1781,2033],"class_list":["post-16822","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general","tag-moog-2-en","tag-synthesizer-en-3"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Moog Sub 37 - what is &quot;paraphonic&quot;? - GreatSynthesizers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/greatsynthesizers.com\/en\/general\/moog-sub-37-what-is-paraphonic\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Moog Sub 37 - what is &quot;paraphonic&quot;? - GreatSynthesizers\" \/>\n<meta property=\"og:description\" content=\"The new Moog baby has arrived. 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Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an T\u00f6nen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Kl\u00e4nge liefert, steht au\u00dfer Frage. Doch tats\u00e4chlich leben wir \u201cheute\u201d in einer nahezu perfekten Zeit. Einerseits hat man \u2013 mehr oder weniger \u2013 noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neuger\u00e4ten die wichtige Komponente des hochwertigen Klanges wieder zunehmend ber\u00fccksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den \u201cKlassikern\u201d in nichts nachstehen. All diesen (alten wie neuen) \u201cgro\u00dfartigen\u201d Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo P\u00e4rt said: \u201cPlaying one tone really well is enough\u201d. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it\u2019s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.\",\"url\":\"https:\\\/\\\/greatsynthesizers.com\\\/en\\\/author\\\/theo\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Moog Sub 37 - what is \"paraphonic\"? - GreatSynthesizers","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/greatsynthesizers.com\/en\/general\/moog-sub-37-what-is-paraphonic\/","og_locale":"en_US","og_type":"article","og_title":"Moog Sub 37 - what is \"paraphonic\"? - GreatSynthesizers","og_description":"The new Moog baby has arrived. Moog SUB 37. A cross between a Sub Phatty and a Little Phatty. And it&#8217;s PARAPHONIC! Huh? 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Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an T\u00f6nen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Kl\u00e4nge liefert, steht au\u00dfer Frage. Doch tats\u00e4chlich leben wir \u201cheute\u201d in einer nahezu perfekten Zeit. Einerseits hat man \u2013 mehr oder weniger \u2013 noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neuger\u00e4ten die wichtige Komponente des hochwertigen Klanges wieder zunehmend ber\u00fccksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den \u201cKlassikern\u201d in nichts nachstehen. All diesen (alten wie neuen) \u201cgro\u00dfartigen\u201d Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo P\u00e4rt said: \u201cPlaying one tone really well is enough\u201d. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it\u2019s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.","url":"https:\/\/greatsynthesizers.com\/en\/author\/theo\/"}]}},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/posts\/16822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/comments?post=16822"}],"version-history":[{"count":0,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/posts\/16822\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/media\/32441"}],"wp:attachment":[{"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/media?parent=16822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/categories?post=16822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greatsynthesizers.com\/en\/wp-json\/wp\/v2\/tags?post=16822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}