{"id":10504,"date":"2012-10-22T17:44:05","date_gmt":"2012-10-22T17:44:05","guid":{"rendered":"http:\/\/greatsynthesizers.com\/?p=10504"},"modified":"2019-03-26T17:25:04","modified_gmt":"2019-03-26T17:25:04","slug":"the-yamaha-vocaloid-keyboard","status":"publish","type":"post","link":"https:\/\/greatsynthesizers.com\/en\/general\/the-yamaha-vocaloid-keyboard\/","title":{"rendered":"The Yamaha Vocaloid Keyboard"},"content":{"rendered":"
\"Yamaha<\/a>

Yamaha Vocaloid Keyboard<\/p><\/div>\n

Will the real-time vocal synthesis be the continuation of Yamaha’s tradition in developing new technologies? Will the Yamaha Vocaloid Keyboard<\/a> be the first within a series that becomes a successor of the CS-series, SK-series, CP-series, GS-series, DX\/TX-series, VP\/VL-series and the Motif?<\/p>\n

\"Yamaha<\/a>

Yamaha Vocaloid Keyboard<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Will the real-time vocal synthesis be the continuation of Yamaha’s tradition in developing new technologies? Will the Yamaha Vocaloid Keyboard be the first within a series that becomes a successor… Read More<\/a><\/p>\n","protected":false},"author":3,"featured_media":31289,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2237,2028],"tags":[2049],"class_list":["post-10504","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2012-en","category-general","tag-yamaha-en-3"],"yoast_head":"\nThe Yamaha Vocaloid Keyboard - GreatSynthesizers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/greatsynthesizers.com\/en\/general\/the-yamaha-vocaloid-keyboard\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Yamaha Vocaloid Keyboard - GreatSynthesizers\" \/>\n<meta property=\"og:description\" content=\"Will the real-time vocal synthesis be the continuation of Yamaha’s tradition in developing new technologies? 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Mahr\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Peter M. Mahr\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/greatsynthesizers.com\\\/en\\\/general\\\/the-yamaha-vocaloid-keyboard\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/greatsynthesizers.com\\\/en\\\/general\\\/the-yamaha-vocaloid-keyboard\\\/\"},\"author\":{\"name\":\"Peter M. 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Der Haptik wegen und wohl auch bedingt durch meine Wurzeln, gebe ich nach wie vor Hardware den Vorzug, selbst wenn die Qualit\u00e4t so mancher Plug-Ins mittlerweile beeindruckend ist. Die Entwicklungen der letzten Jahre haben eine neue Generation an Klangschaffenden und Musikern hervorgebracht, die wie es scheint nun wiederum der Faszination der alten analogen Instrumente erliegen. Genau in diesem Spannungsfeld soll sich der Inhalt unseres Magazins wieder finden. ________________________________________________________ It must have been the middle of the 70\u2032s when I first heard \u201cSwitched on Bach\u201d by Walter\\\/Wendy Carlos. Since then, electronic music and synthesizers have lost none of their fascination and variety in their means of expression for me. Because of the tangibility of it and probably also due to my roots, I still prefer hardware, even if the quality of some plug-ins is now impressive. 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