MiniBrute / DrumBrute with real vintage look

Purchasing luxurious wooden side panel for new (or old) analog synthesizers / drum machines may seem a little over the top. Are the really needed? Perhaps no. No matter if the material is plastic, fake wood or real wood – the synth sounds the same. However, that exeptional feel of an instrument is of vital importance to many musicians.

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Buying an Arturia MiniBrute SE a few months ago, I was quite disappointed discovering its wooden panels are just a fake: they are plastic! Same with the new DrumBrute. What to do?

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GMUSYNTH offers custom wood side panels for your Arturia. These panels are 3D modeled to capture the exact profile of the originals.

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Hand crafted from solid wood using a mixture of CNC cuts and finished with hand tools, these panels are a perfect fit for the MiniBrute / MiniBrute SE / DrumBrute.

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The original Brute’s plastic panels are an elaborate design, with several reliefs sloping in all 3 dimensions. This design works perfectly with the synth, and has been carefully reconstructed …

 

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There are different colors / woods to choose from: Mahogany, Walnut, Cherry, Maple, White Oak and Katalox (an ironwood from Mexico).

Further info:
www.gmusynth.com/collections/woodworks/products/arturia-minibrute-wood-panels

Filed under General

“Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005. Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.