The Waldorf Quantum reminds us a little of the Hartmann 20 Synthesizer en miniature (well, not exactly miniature, but reduced). Be that as it may: This synthesizer makes a lasting impression. Especially notable its elitest design, its precious aluminum housing and its 5-octave keyboard. A “must-have”, so to say …
In short: Roland’s new Synthesizer flagship – the System-8 – is amazingly powerful. Ok, ok, today’s “synthesizers” are light-weight plastic boxes (a fact that we probably have to accept), but in terms of musical output, the System-8 offers a whole universe. And – ! – Roland’s great step-sequencer can now be transposed via the keyboard. Something users of the JP-8000 and JD-XA would love to have at their disposal.
The best idea Moog has had in years. The original Minimoog! Now that the first units have been delivered, it’s time for a first feedback. The handcrafting is excellent (what else would you expect from Minimoog?), that great sound is as it was (or … at least almost … sensitive eary might hear little discrepancies in the envelopes, but … who cares).
OCS-2 is a digital, semi-modular, analog-style synthesizer. Small, but very powerful and flexible, it provides incredible sound quality. Dedicated to knob addicts, the synthesizer is full of features that define its own unique sound. This instrument was designed by Henry Cyrille.
Kenton Electronics, based in London, is celebrating its 30th anniversary. That producer of CV- and MIDI-kits for vintage analog synths and supplier for MIDI-CV interfaces (well, MIDI-interfaces of all kinds) has earned a high reputation. In addition, Kenton offers heaps of useful MIDI-controllers and MIDI-boxes …
The guru of synthi-pop hasn’t let up a bit. He’s as active as ever. The young 68-year-old Jean Michel Jarre beguiles his public with high quality mutimedia stage shows, bringing old and new songs, using old and new instruments. A nice addition to the troupe is the GRP A4 that has replaced the ARP 2600 at the side of the memorymoog in the middle of the action.
Looking for a virtual-analog synth with a wavetable (Waldorf) engine, for a puny 20,000 Euros? (And don’t forget those taxes!) Get one before they’re all gone. Axel Hartmann’s hand-crafted Designer-Synth “20”, the new Aston Martin under the synths, will only be produced 40 times (20 x silver, 20 x black) – and that’s it! This sportscar has new SUPRA Op-Amps inside, which should give it a special dynamic sound.
Both the MiniBrute Analog Synthesizer and MicroBrute Analog Synthesizer sound great! They are quality instruments with lots of features for experimental electronic music. Arturia now offers them in a new, limited version: RED! Looks superb – just like the good old red Roland SH-101. Cult!
Buchla and Moog started it all with their modular synthesizers in the 1960s. Doepfer made it affordable in the 1990s by introducing the Eurorack standard. Today, the Modular plug-in from Softube makes the modular synthesizer truly accessible to everyone.
Softube Modular – the first truly expandable software modular system that looks, works, and sounds exactly like its hardware counterparts. Both as an effect and as an instrument, Modular is simple to use, with a massive preset library and clever Utility modules.
Many electronic synth freaks don’t know who Ernst Krenek was. Which isn’t particularly surprising, since the composer is known above all for his orchestra- and choir-music and for his operas. But Krenek was also involved in making tape music and electronic music. Two Buchla synths from his studio, vintage 1967, are among the oldest originals still in existence …