Dark Energy III is – just like its predecessor Dark Energy II – a monophonic analog synthesizer with USB and MIDI interface. The entire sound generation and all modulation sources are 100% analog. While its strong filter is the same as that of DE II, there are some minor differences in the VCO / VCA / LFO area …
To be honest: we’re a littlebit proud. Quite a few German companies were honored with the Sonicstate NAMM Award 2018. Companies such as Doepfer, Radikal Technologies or Waldorf. A glorious end of a glorious mega-event!
“[…] another NAMM is over, this one was the biggest one we’ve been to, the sheer physical size of it with the addition of two extra halls keeping the team on their toes – quite literally.” (sonicstate.com)
Dieter Doepfer received his award for the new A-100 Polyphonic Modules:
The Doepfer A-173-1/2 is a module combo that is used to generate a manually controlled 1V/Octave CV signal and up to 15 manually controlled gate/trigger signals.
The handy micro-piano might be of great value to many Modular users. The “keys” can be manually tapped and routed to any destination via separate Gate outputs (and a global CV-out). So you can quickly transpose sequences without the need of an external keyboard, and much more.
Buchla and Moog started it all with their modular synthesizers in the 1960s. Doepfer made it affordable in the 1990s by introducing the Eurorack standard. Today, the Modular plug-in from Softube makes the modular synthesizer truly accessible to everyone.
Softube Modular – the first truly expandable software modular system that looks, works, and sounds exactly like its hardware counterparts. Both as an effect and as an instrument, Modular is simple to use, with a massive preset library and clever Utility modules.
A workshop with Dieter Doepfer will be held at Musikhaus Hieber Lindberg in Munich on Saturday, November 15th. The modular system A-100 will be the central topic, Dieter will touch on many modules, explaining their musical function. And there’ll be a general discussion to round off the program.
The Doepfer workshop on 13th of July was positive in every respect. For one, the two-part workshop was very well attended. 50 synth freaks (newcomers as well as advanced users) followed Dieter Doepfer’s explanations and presentations with enthusiasm. The A-100 modular system explained by its inventor – perfect!
After many years on the market, Doepfer has redesigned the MAQ 16/3 MIDI/CV step sequencer. They have issued it, visually adapted to the Dark (Energy) line.
Very classy. Optically an definitive alternative to the traditional Doepfer silver line. The Dark Edition of the sequencer should be finally available June 2013 at a price of 750 Euros.
This new Doepfer A-100 module contains two independent CV/Gate-to-Midi/USB interfaces. It allows conversion of analog sequences to Midi/USB data (e.g. from the A-155 sequencer), generation of random Midi sequences and Midi control change data from analog voltages.
The data generated by the module is transmitted simultaneously to Midi Out and USB. Two or more A-192-2 modules can be daisy-chained via Midi Out – Midi In. And incoming Midi data is merged to the Midi output.
Further information: www.doepfer.de/a1922.htm
Doepfer announces availability of Dark Energy II Analog Synthesizer
GRAEFELFING, GERMANY: audio hardware developer Doepfer is proud to announce availability of its new Dark Energy II Analog Synthesizer, a redesigned version of the original Dark Energy, a standalone monophonic analogue synthesizer with inbuilt USB/MIDI interfacing and CV connectivity released to much critical acclaim in 2010…
So why the need to redesign something so successful so soon? Simple. Needs must. And who better to explain this than company CEO Dieter Doepfer himself: “As the Dark Energy had to be discontinued, because an important electronic component (CEM3394) is no longer available, we decided to do a redesign. The new Dark Energy II looks like the Dark Energy at first glance, but the basic sound of the Dark Energy II is clearly different because of the new circuits for the VCO, VCF, and VCA.”
Given the absence of that rich-sounding, analogue ‘synthesizer-voice-on-a-chip’ (CEM3394) from Curtis Electromusic Specialities successor OnChip, how does the Dark Energy II sound? Still rich, still analogue — with 20 to 30 minutes tuning time needed for the VCO’s temperature-controlled pure analogue circuitry, but different… mainly because of the completely different filter type.
Notable differences in specification between the two — together with a number of functional additions to the Dark Energy II — are as follows: firstly, the Dark Energy II features a sawtooth-based VCO core (compared to the Dark Energy’s triangle-based one), which, as implied, outputs a sawtooth waveform, with a waveform Shape switch for selecting sawtooth, off, or clipped/inverted sawtooth; meanwhile, that all-important, sounding-defining VCF is centred around a 12dB multimode filter with lowpass, notch, highpass, and bandpass, together with an all-new filter Mode control for continuous transition from lowpass via notch and highpass around to bandpass (as opposed the 24dB lowpass variety with linear frequency modulation (LFM) control found on the Dark Energy); the VCF’s exponential frequency modulation (XFM) control also has a polarization function, whereby the modulation source (LFO2 or ADSR) selected by the Source switch can affect the filter frequency with a positive or negative behaviour (by rotating rightwards or leftwards, respectively); finally, the VCA has an exponential scale (unlike the Dark Energy’s combined linear/exponential scale).
Benefitting those with a modicum of electronics know-how, the Dark Energy II offers much more internal expansion possibilities than its ‘Mk I’ predecessor courtesy of pin header terminals for the following functions: rectangle and sawtooth VCO outputs, linear FM input for VCO, hard sync input for VCO, lowpass/bandpass/highpass VCF output, rectangle and triangle outputs for each LFO, and optional reset/direction features for each LFO — all conspiring to make this already flexible synthesizer even more flexible!
The upshot of those differences is that sounds created on a Dark Energy II of course cannot be replicated on a Dark Energy (and vise versa) — though there is nothing to stop the two distinctive synthesizers from being daisy-chained together to produce an even wider palette of sounds. Indeed, several units can be polyphonically or monophonically cascaded (via internal MIDI out/MIDI in connections) to create an ‘über-synth’ of sorts!
Like the Dark Energy, the Dark Energy II is a standalone monophonic analogue synthesizer with inbuilt USB/MIDI interfacing and CV connectivity housed in a rugged black metal case with wooden end cheeks; likewise, sound generation and all modulation sources are 100 percent analogue, appealing to purists — only the USB/MIDI interface includes digital components, naturally! Again, vintage-looking, high-quality potentiometers with metal shafts are used throughout, and all are fixed to the casing — except for that all-new filter Mode control — to ensure stability. Spacing between them is generous (in comparison to the necessarily smaller A-100 Analog Modular System modules like the A-111-5 Mini Synthesizer Voice equivalent of the original Dark Energy) to ease sound-shaping manipulation.
In truth, then, the Dark Energy II is — to all intents and purposes — an all-new synthesizer from Doepfer! Why not plug in and play?
Find here a list of differences between Dark Energy I and the new Dark Energy II:
12dB multimode filter with lowpass, notch, highpass and bandpass (instead of 24dB lowpass of Dark Energy I)
the previous LM control of the filter becomes the filter type control Mode (continuous crossfade lowpass – notch – highpass – bandpass)
the modulation level control of the filter “XFM” has so-called “polarizer” function. The modulation source (LFO2 or ADSR) selected by the Source switch may affect the filter frequency in a positive (right half of the control range) or negative way (left half of the control range)
the waveform switch is used to select between saw and clipped, inverted saw (in the center position the saw is off)
the basic waveform of the VCO is saw (not triangle like the Dark Energy I).
the VCA has a exponential scale (not the combined linear/exponential scale of Dark Energy I)
because of the pure analog circuit and the temperature control it may take up to 20-30 minutes until the VCO is in tune.
The sound of the Dark Energy II differs clearly from the Dark Energy I (mainly because of the completely different filter type). If you already own a Dark Energy I the Dark Energy II can be used as an expansion. But you will not be able to copy sounds of the Dark Energy I with the Dark Energy II (and vice versa) !
For users with electronic knowledge the Dark Energy II offers much more internal expansion features than the Dark Energy I. For example terminals (pin headers) for these features are available: VCO Hard Sync, linear VCO FM, rectangle and sawtoooth output of the VCO, lowpass/bandpass/highpass output of the VC, Reset/Sync/Direction for each LFO, rectangle and triangle output for each LFO. In addition an improved version of the glide option is is the planning stage that allows to turn on/off the glide function via Midi control change messages.
[Source: Doepfer website]