Vermona randomRHYTHM – Aleatory Music!

Coincidence is something nice. In everyday life as well as in music. Chance as an antithesis to perfectionism. Aleatory music or chance music is music in which some element of the composition is left to chance […]” – see Wikipedia. Vermona is taking up this great topic by releasing the dual-engine randomRHYTHM module …

Vermona-randomRHYTHM-01

randomRHYTHM has two independent sections that can be used to control external modules (envelopes, etc.), synthesizers, or drum machines. Each section provides outputs for 1/4, 1/8, 1/16 and triplet values. Depending on the position of the associated faders (which means more pulses or fewer pulses per channel), random trigger signals are avaiable at each (of the eight) individual outputs.

Vermona-randomRHYTHM-02

There is no influence on the coincidence itself, of course. It is only possible to adjust the random-notes-density … how often the random impulses shall occur … from “only once in a time” to “very often”. Apart from that, the individual tracks – and thus the entire grooves – are always pure randomness.

Vermona-randomRHYTHM-03

The module is by no means only useable for Eurorack or other modular users. If you own a small collection of analog synthesizers (three or four of them …), you can easily create multi-timbral random patterns with randomRHYTHM. Simply trigger every synthesizer with one of the 4 random-note tracks – and off you go …

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Further Info:
www.vermona.com/en/products/modules/product/randomrhythm

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“Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005. Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.