The new Minimoog D – even better than the original?

The new Minimoog – the new Model D, to be precise – surprises us at first sight with its moderate price. Approximately 4000 Euros is (somehow) fair, considering that a vintage Minimoog can cost significantly more on the second hand market. And this synth is NEW, it comes with a beautiful wooden housing (with no scratches and scrapes) and with some interesting new extras. Extras, that the original Minimoog can’t even dream of.

New-Minimoog-D-03

First, there’s MIDI. A rather simple interface (note on/off), though, but it’s there. Second, this Minimoog comes with a Fatar keyboard. A keyboard that sends velocity and aftertouch. Both are not internally pre-wired, but can be patched at the connection side (top) of the instrument. Nice!

New-Minimoog-D-rear-panel

Third, there are more modulation sources. The new Minimooog D not only uses VCO3 for modulation purposes, but also that extra LFO, the filter envelope and noise (or an external CV-signal). This greatly enhances the instrument’s tonal flexibility (and it reminds us a little of the Pro-One’s modulation matrix).

New-Minimoog-D-modulation-sources

Fourth, there’s an external PSU (with a four-pole connection socket). No loose cable hanging around when moving the Minimoog!

So, this is the new Model D. We hope it sounds as good as it looks – the last, the decisive question we can’t answer yet. Nevertheless, we’re looking forward to the new Minimoog.

New-Minimoog-D-01

New-Minimoog-D-02

Further Info:
https://www.moogmusic.com/products/minimoog/minimoog-model-d

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“Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005. Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.