Legowelt (Danny Wolfers) introduces the boutique synthesizer Roland D-05, a reincarnation of the classic D-50. That revolutionary instrument helped define the sound of the late ‘80s with its instantly recognizable mix of sampled attacks and synthesized sustaining waveforms, plus built-in chorus, reverb, and EQ. The new D-05 impresses with its minimal size, authentic sound and joystick controller. In addition, there’s a 64-step polyphonic onboard sequencer, and an arpeggiator.
PUSH TURN MOVE – one of the best and most comprehensive synthesizer books ever. And one of the most unusual ones. Strictly speaking, PUSH TURN MOVE is not just about synthesizers, but about all kinds of sound machines and controllers for electronic music. And strictly speaking, it is not so much about the musical strengths of the instruments, but about their FUNCTIONALITY and DESIGN.
We’d call this “Autumn Cleaning”. For sale are some very remarkable instruments, many of them rarities and collector’s items. Like the ultra-rare, hand-made PPG Kompaktsynthesizer, of which only 10 units have been made. We promise that some of the images will make your fingertips tingle.
The JH-3200 PolyKorg Clone was made by Juergen Haible, the ingenious analog synth guru, who sadly passed away in 2011. Haibles designs and ideas are still alive, though – see http://jhaible.com for some details.
Haible created the JH-3200 in 2002 and 2003. Inspired by Korg’s massive polyphonic synthesizers, he designed a unique instrument that features the best out of PS-3100 and PS-3200: 2 VCOs per voice, triple resonators, programmability (64 memories), full polyphony and MIDI are just a few of the wonderful JH-3200 features.
How nice would it have been IF … Well, IF in 1980 Sequential Circuits would have continued license fee payments for the Prophet-5 (E-MU patents on keyboard scanning, SSM circuits) and thus wouldn’t have stopped the wonderful E-MU AUDITY project.
That 16-voice E-MU synthesizer would have become the most powerful polyphonic synthesizer of all time. At an astronomical price, of course: the AUDITY should have cost approx. 60,000 USD (or more). A sum that only few musicians worldwide would have been able to afford.
FUSEBOX is a compact true analog mono synth in a neat, smart, small package. We call it “little brother” of the POLYMATH. Aside from the MIDI chip (which has to be digital), everything else is totally analog using real transistors and op-amps. The synth has been designed by Tom Carpenter, CEO of Analogue Solutions, a musician and a big fan of electronic music. He knows how to program a synth and what should be expected.
FUSEBOX was not designed by an engineer or steered by committee or men in suits. This is a musician’s instrument …
… offering synthesizers in WHITE seems to be en vogue. A white surface, in fact, is very practical: it makes dust (almost) invisible. That’s a good point. And a white surface with black knobs looks fantastic. Hypersynth now offers the Xenophone in two editions: Black and White. Very noble …
Well, that sounds exciting. No talk of “oscillators here” and “filter there”, no: this is a GRANULAR synthesizer, the Tasty Chips Electronics GR-1. A hardware musical instrument, offering hands-on controls to create characteristic textures and pads.
A sample and a few knob tweaks is enough to make something beautiful …
Axel Fischer of Schmidt Synthesizers has informed us that a 3rd series of 25 units is being planned.
„Last year, we assumed that the 2nd Schmidt series would also be the last one. The electroncis behind Schmidt Synthesizers is very elaborate and the prices for the components have been going up steadily for years. But since the 2nd series of 25 units (to bexact: 27 – we did order some extra components) was sold out within 14 months, those component prices are still acceptable.
First, the very good news: The GRP A2 Synthesizer is available since mid-August 2017. First units have already been shipped to customers (and selected music stores). Now the even better news: That A2 looks fantastic in combination with the R24 sequencer. Nothing unexpected, of course, but in real life it’s a tasteful eye-catcher. Noble analog performance (with MIDI and USB) in classic rack format.