About Theo Bloderer

“Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005. Diese Aussage ist ebenso einfach und - wie ich finde - exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.
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New Solaris Report by Robert Wittek

Robert Wittek is one of the best keyboard players and sound programmers around today. Fascinated by any wavetable synthesizer (e.g. the Prophet-VS), he has now set his sights on the Solaris. His report is in German only (sorry about that), but we wanna point to the audio-workshop which comes with it. The 6 Solaris audio parts are recommend to all synthesists around the globe.

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Trax RetroWave R-1
- from Model Trains to Synths

As so often the case, chance and a bit of luck played a big role in my discovery of the following hitherto unknown instrument.

It’s the beginning of May 2013, and a routine visit to eBay brings me eye to eye with the Trax RetroWave R-1. A quick search for the website, contact with the selling agent, and within a few days the Trax RetroWave R-1 was settled into my local studio.

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And (again), as is often the case, my instinct was right: the Trax RetroWave R-1 is a high-quality, fun-to-use analog synthesizer with outstanding sound potential. But, one thing at a time…
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The Pyramid Synth

30-year-old David Cranmer of London is an artist in the true sense of the word. He combines a wealth of ideas, design, sounds and performance into works of art. Take the Pyramid Synth, for example. He created two analog synths with the characteristic appearance of egyptian mausoleums in cooperation with Peter Fowler. But he’s also been working on a large modular system on his own for several years …

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Roland Juno-60
- a classic with lots of charme

It’s getting a little embarrassing talking about another “unbelievable” classic synth, another “must-have”. Nevertheless – the Juno-60 synthesizer is no ordinary cheap polysynth, we rather think it’s a real substitute for the sought-after flagship Jupiter-8. At least in many ways …

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Sure, the timeless and extremely balanced design of a Jupiter-8 IS unbeatable. And there will be NO FX-soundtracks produced on a Juno-60. But still, basic sound on both instruments is very similar. Considering sonic warmth and earthy richness, the Juno-60 is on the same level as the nice Jupiter-8, maybe it’s even a little above (!) the Jupiter. Continue reading

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Musikmesse Frankfurt 2013 Report – Part 1

Well, the Frankfurt Musikmesse 2013 was a remarkable experience. Some say it wasn’t as large as it has been in past years, but there were still lots of new goodies. Since the big news about Yamaha, Korg and Roland was released at the NAMM Show, our report will concentrate on the European market with all of those special products which have enriched the synthesizer landscape for years. And we’ll be meeting some remarkable people along the way …

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