About Theo Bloderer

“Es genügt, einen Ton schön zu spielen” sagte der Komponist Arvo Pärt im Jahre 2005. Diese Aussage ist ebenso einfach und - wie ich finde - exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. Dass so mancher Vintage-Synthesizer der 70er und 80er Jahre teils unerreicht hochwertige Klänge liefert, steht außer Frage. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. All diesen (alten wie neuen) “großartigen” Instrumenten ist Great Synthesizers gewidmet. _________________________________________________________ In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. In other words, it is sufficient to play one tone 'beautifully'. I agree with that. All musical efforts are focused on the sound itself. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Synthesizers are the epitome of new sounds and exciting tonal spheres. Today, many companies produce high-quality - excellent! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It's their products I'm really interested in ... apart from Vintage Synthesizers, which I have been collecting for 20 years. Subsequent to our former websites Bluesynths and Blogasys, Peter Mahr and I have now created GreatSynthesizers. We hope you like it.

Roland Jupiter-4
– the GOLDEN oldie?

Whereas the marvellous Sequential Prophet-5 was called “most sexy synthesizer in the world” (I would equally call Roland’s Jupiter-8 the same), poor Jupiter-4 was the ugly duckling. No one fell in love with it, and as Peter Forrest points it out: “All technology eventually goes cheesy, but the JP-4 went cheesy quicker than most.”


Während jedoch dem Prophet-5 die Bezeichnung “most sexy synthesizer in the world” zustehen dürfte (ich würde an dieser Stelle sofort den Roland Jupiter-8 mit einschließen), wird das “hässlichen Entlein” Jupiter-4 mit viel Glück gerade noch den “blechernen Kaktus” als Preis erhalten. Nur wenige polyphone Analogsynthesizer sehen derart unspektakulär und veraltet aus, oder, um es mit den Worten von Peter Forrest zu sagen: “All technology eventually goes cheesy, but the JP-4 went cheesy quicker than most.” Continue reading


Softube MODULAR – Eurorack For Everyone?

Buchla and Moog started it all with their modular synthesizers in the 1960s. Doepfer made it affordable in the 1990s by introducing the Eurorack standard. Today, the Modular plug-in from Softube makes the modular synthesizer truly accessible to everyone.


Softube Modular – the first truly expandable software modular system that looks, works, and sounds exactly like its hardware counterparts. Both as an effect and as an instrument, Modular is simple to use, with a massive preset library and clever Utility modules.

Continue reading


Book Recommendation: The Prophet from Silicon Valley

The story of Sequential Circuits, the leading synthesizer manufacturer of the 1980s. One of the great American synthesizer companies, founded and led by San Francisco electronics and computer graduate, Dave Smith, Sequential Circuits Inc. paved the way for music of the future. Smith brought easy, affordable and powerful polyphonic synthesis to all levels of music production in the form of the ground-breaking Prophet-5 synthesizer.


Continue reading


SUPERBOOTH16 – Synth Expo Berlin (Part 2)

We met Dave Smith. The famous synth pioneer is very agile and inventive, and he doesn’t seem to become older! He proudly presented the Prophet-6, OB-6 and Pro-2 – the current first class instruments of DSI. I had some questions regarding the family’s prehistoric ancestor Prophet-5, but Dave was not very much interested, which is, admittedly, quite understandable. True pioneers don’t live in the past. They look ahead!


Continue reading


SUPERBOOTH16 – Synth Expo Berlin (Part 1)

Perfect weather, a beautiful city, lots of culture, happy people: SUPERBOOTH16. The synth expo was a great success. Andreas Schneider (Schneider’s Laden) and his team organized a perfect event. SUPERBOOTH16 has exceeded our expectations …


There were billions of modular-synth exhibitors. And there were the BIG PLAYERS in synth industry, too: Roland, Yamaha, Korg, Moog, Oberheim, DSI and many more …

Continue reading


Oberheim Two Voice Pro
– the analog dream-synth?

About …

The Two Voice Pro: not just another synth! To be exact, THE hype American mono/duophon analog synth. The reincarnation of the LEGENDARY Two Voice of 1975. And Tom Oberheim’s personal synth favourite. The modern Two Voice: something for PROfessionals.


Whereby PRO pertains to those little and big differences between the 70’s original and the update of today. The SEM modules haven’t really been changed at all (so we’ve still got that wonderful sound), but in the sequencer- and performance-department, the new Two Voice is a (no, it’s two) giant steps. Continue reading


Mini MIDI Step Sequencer by Audiowerkstatt

The audiowerkstatt mini-midi-step-seq is a MIDI-sequencer (no gate/CV), which is based on a classic analog step-sequencer:

  • Programming with potentiometers (no endless-dial and no detent)!
  • Only one track!
  • No pattern-storage!
  • No internal clock (only usable as MIDI-slave)!
  • No display!


It is optimized for live use, especially jam-sessions, but can also be used to give you new ideas, if you are stuck in your main sequencer.

Continue reading