The Waldorf Quantum reminds us a little of the Hartmann 20 Synthesizer en miniature (well, not exactly miniature, but reduced). Be that as it may: This synthesizer makes a lasting impression. Especially notable its elitest design, its precious aluminum housing and its 5-octave keyboard. A “must-have”, so to say …
Being extremely enthusiastic about the ’14 Analogsynthesizer, we’ve decided to take a quick look behind the scenes at VERMONA. Thomas Haller from HDB electronic was our partner in conversation …
In short: Roland’s new Synthesizer flagship – the System-8 – is amazingly powerful. Ok, ok, today’s “synthesizers” are light-weight plastic boxes (a fact that we probably have to accept), but in terms of musical output, the System-8 offers a whole universe. And – ! – Roland’s great step-sequencer can now be transposed via the keyboard. Something users of the JP-8000 and JD-XA would love to have at their disposal.
One aspect of the ’14 soundfiles available up to now has always fallen short: the special singing quality – the soul of the bard – isn’t really transmitted. So we have something to make up for – and, indeed, to offer – concerning the central question of what technical and (above all) acoustic differences exist between the Vermona PERfourMER MKII and the ’14 Analogsynthesizer.
You could call it the “Schmidt” effect. Suddenly, all sorts of vintage instruments have risen from the dead, now available for sale. It’s very well possible that the collectors are sacrificing these beauties so they can afford a Schmidt. Or just a big, modern modular system. Or neither the one nor the other. Because trimming down is actually a good step to take somewhere in life.
The best idea Moog has had in years. The original Minimoog! Now that the first units have been delivered, it’s time for a first feedback. The handcrafting is excellent (what else would you expect from Minimoog?), that great sound is as it was (or … at least almost … sensitive eary might hear little discrepancies in the envelopes, but … who cares).
OCS-2 is a digital, semi-modular, analog-style synthesizer. Small, but very powerful and flexible, it provides incredible sound quality. Dedicated to knob addicts, the synthesizer is full of features that define its own unique sound. This instrument was designed by Henry Cyrille.
On the occasion of NAMM 2017, Doepfer presents its new products. The list of modules of the popular A-100 VINTAGE Edition is growing (and growing). Then, there’s a quite interesting VC Performance Mixer, a Trapezoid Thru Zero Quadrature VCO and a new module for modular programmability: the Octal Manual/Voltage Controlled Programmable Switches.
The bards, those “popstars” of the middle ages famous for their sonorous voices and for their poetic talents, are still widely known today. Walther von der Vogelweide and Oswald von Wolkenstein – names we all recognize (at least here in Europe).
The Vermona ’14 Analogsynthesizer is a bard of modern times. A true individualist on the electronic music scene. This bard doesn’t just sound, it sings! Mind you, synthesizers in the singing category are rare. Oberheim OB-1 and the Moog Prodigy are among the few vintage synths in this field. Vermona Mono Lancet (and Mono Lancet ’15) do sing a little. And that’s about it. The rest of the synths just – sound.
A short, but informative video (17 minutes). The following synthesizer documentation was of course created as advertising for Novation. Its journey starts in 1992 with the cute MM10 Keyboard (for Yamahas QY10 Pocket Workstation) and ends up in the present with Launchpad and Mininova. With the help of many musicians and synth designers, among them Ian Jannaway (Co-Founder of Novation) …